Ghessur Chan, the principal idol.
The principal idol is seated alone, in the middle recess, between two columns, entwined with gilded dragons. Large streamers of silk, hanging from the roof of the temple, veil in some measure the upper part of the image. His name is Ghedsur, or Ghessur Chan[98]; the Chinese call him Loo-ye, or the first and most antient; and the Manshurs, Guanlöe, or the superior god. He is of a gigantic size, surpassing more than fourfold the human stature, with a face glistening like burnished gold, black hair and beard. He wears a crown upon his head, and is richly dressed in the Chinese fashion: his garments are not moulded out of clay, as those of the other idols; but are made of the finest silk. He holds in his hands a kind of tablet, which he seems to read with deep attention. Two small female figures, resembling girls of about fourteen years of age, stand on each side of the idol, upon the same pedestal; one of which grasps a roll of paper. At the right-hand of the idol lie seven golden arrows, and at his left a bow.
Before the idol is a spacious enclosure, surrounded with rails, within which stands an altar with four colossal figures, intended probably to represent the principal mandarins of the deified Ghessur. Two of these figures are dressed like judges, and hold before them small tablets, similar to that in the hands of the principal idol. The two other figures are accoutred in complete armour: one wears a turban; and carries, upon the left shoulder, a large sword sheathed, with the hilt upwards. The other has an hideous copper-coloured face, a large belly, and grasps in his right hand a lance with a broad blade.
Although all the remaining idols in the temple are of an enormous size, yet they are greatly surpassed in magnitude by Ghessur Chan.
Maooang.
The first idol in the recess to the right is called Maooang, or the Otschibanni of the Mongols. He has three ghastly copper-coloured faces, and six arms; two of his arms brandish two sabres cross ways over the head; a third bears a looking glass, and a fourth a kind of square, which resembles a piece of ivory. The two remaining arms are employed in drawing a bow, with an arrow laid upon it, ready to be discharged. This idol has a mirror upon his breast, and an eye in his navel: near it are placed two small figures; one holds an arrow, and the other a little animal.
Tsaudsing.
The next idol in the same recess is called by the Chinese Tsaudsing, or the gold and silver god; and by the Mongols Tsagan-Dsambala. He wears a black cap, and is dressed, after the Chinese fashion, in sumptuous robes of state; he bears in his hand a small jewel casket. Near him also stand two little figures, one of which holds a truncated branch.
Chusho.