Told by Shiudan Chamar, of Chaukiya, Mirzápur.
N.I.N.Q. iii. 101.

Merchant puts up at house of Oilman—Oilman ties the horse to his mill—Next morning Merchant asks for it—He replies, "It has run away!"—"But what is that horse?"—"My mill gave birth to it in the night"—Appeal to Siyar Panre, the Jackal—"Go back and I will come"—He bathes in a tank—Delay—They seek him, and find him sitting by the tank—"Why did you delay?"—"Too busy; the tank caught fire, and I have just put it out"—"You are mad; who ever heard of a tank on fire?"—"Who ever heard of a mill bearing a foal?"—Oilman returns horse.

A parallel may be found in the Buddhist Jātaka, No. 219 (Cambridge translation, ii. 129), another Version from the Frontier in Swynnerton's "Indian Nights' Entertainment," p. 142. Compare Stumme, Tunisische Märchen, vol. ii., Story of an Oilman.

5.—[How the Mouse got into his Hole]

Told by Bisram Banya and recorded by Maharaj Sinh,
teacher of the school at Akbarpur, Faizabad district.

6.—[King Solomon and the Owl]

Told by Munshí Chhoté Khán, teacher of the village school
at Ant, District Sitápur, Oudh.
[A new legend of the Fall.]

Solomon hunts alone—An Owl asks him to receive him—Solomon asks, "Why do you hoot all night?"—"To wake men and women early for prayer: travelling is difficult, for treasure is dearer than life"—"Why do you shake your head?"—"To remind mankind that the world is but a fleeting show, and to show my disapproval of their delight in worldly things"—"Why do you eat no grain?"—"Adam ate wheat in heaven, and was turned out of it on that account. Adam prayed, and God sent him into the world, and blessed him to be the father of mankind. If I eat one grain I expect to be cast into hell"—"Why do you drink no water in the world at night?"—"Because Noah's race was drowned in this world in water. If I drink, it would be hard for me to live"—Solomon is pleased, and asks the Owl to remain with him, and advise him on all points.

There is no verse in the original.

All through the eastern world the owl, from its association with graveyards and old ruins, is regarded as a mystic bird, invested with powers of prophecy and wisdom (Crooke, "Popular Religion and Folk-lore of Northern India," i. 279).