In the Panjâb, on the same principle, if a man has lost two or three wives in succession, he gets a woman to catch a bird and adopt it as her daughter. He then pays the dower, marries his bird bride, and immediately divorces her. By this means the malignant influence is diverted to the bird, and the real wife is safe.[10] We shall meet again with the same principle in dealing with the curious custom of tree marriage.
Food of Bhûts.
Like evil spirits all the world over, Bhûts will eat filthy food, and as they are always thirsty, they are glad to secure even a drop of water, no matter how impure the purpose may have been for which it has been used. On the other hand, they are very fond of milk, and no Panjâbi woman likes her child to leave the house after drinking fresh milk. If she cannot prevent it from going, she puts some salt or ashes into its mouth to scare the Bhût.[11]
Posture of Bhûts.
Bhûts can never sit on the ground, apparently, because, as has been shown already, the earth, personified as a goddess, scares away all evil influence. Hence, near the low-caste shrines a couple of pegs or bricks are set up for the Bhût to rest on, or a bamboo is hung over it, on which the Bhût perches when he visits the place.[12] On the same principle the Orâons hang up the cinerary urn containing the bones of a dead man on a post in front of the house,[13] and the person who is going on a pilgrimage, or conveying the bones of a relative to the Ganges, sleeps on the ground; but the bones must not rest on the ground; they are hung on the branch of a tree, so that their late owner may revisit them if so disposed. Near shrines where Bhûts are always about on the chance of appropriating the offerings, it is expedient to sleep on the ground. So the bride and bridegroom rest, and the dying man is laid at the moment of dissolution.
Tests of Bhûts.
There are at least three infallible tests by which you may recognize a Bhût. In the first place he casts no shadow. In the third Canto of the Purgatorio, Dante is much distressed because Virgil, being a disembodied spirit, casts no shadow. In the second place a Bhût can stand almost anything in his neighbourhood but the scent of burning turmeric, which, as we shall see, is a well-known demon-scarer. Thirdly, a genuine Bhût always speaks with a nasal twang, and it is possibly for this last reason that the term for the gibberish in the mediæval plays and for modern English is Pisâcha Bhâsha, or the language of goblins.[14] Some of them have throats as narrow as a needle, but they can drink gallons of water at a time. Some, like the Churel, whom we shall meet later on, have their feet turned backwards. Some, like Brâhman ghosts, are wheat-coloured or white; others, like the Kâfari, the ghost of a murdered negro, are black, and particularly dreaded. A famous ghost of this class haunts a lane in Calcutta, which takes its name from him.