Mother-worship in Gujarât.
But it is in Gujarât that this form of worship prevails most widely at the present day. Sir Monier-Williams enumerates about one hundred and forty distinct Mothers, besides numerous varieties of the more popular forms. They are probably all local deities of the Churel type, who have been adopted into Brâhmanism. Some are represented by rudely carved images, others by simple shrines, and others are remarkable for preferring empty shrines, and the absence of all visible representations. Each has special functions. Thus one called Khodiâr, or “mischief,” is said to cause trouble unless propitiated; another called Antâî causes and prevents whooping cough; another named Berâî prevents cholera; another called Marakî causes cholera; Hadakâî controls mad dogs and prevents hydrophobia; Asapurâ, represented by two idols, satisfies the hopes of wives by giving children. Not a few are worshipped either as causing or preventing demoniacal possession as a form of disease. The offering of a goat’s blood to some of these Mothers is regarded as very effectual. A story is told of a Hindu doctor who cured a whole village of an outbreak of violent influenza, attributed to the malignant influence of an angry Mother goddess, by simply assembling the inhabitants, muttering some cabalistic texts, and solemnly letting loose a pair of scapegoats in a neighbouring wood as an offering to the offended deity. One of these Mothers is connected with the curious custom of the Couvade, which will be discussed later on.[57] Another famous Gujarât Mother is Ambâ Bhavânî. On the eighth night of the Naurâtra the Râna of Danta attends the worship, fans the goddess with a horsehair fly-flapper, celebrates the fire sacrifice, and fills with sweetmeats a huge cauldron, which, on the fall of the garland from the neck of the goddess, the Bhîls empty. Among the offerings to her are animal sacrifice and spirituous liquor. The image is a block of stone roughly hewn into the semblance of a human figure.[58]
Mother-worship in Upper India.
In the Hills what is known as the Mâtrî Pûjâ is very popular. The celebrant takes a plank and cleans it with rice flour. On it he draws sixteen figures representing the Mâtrîs, and to the right of them a representation of Ganesa. Figures of the sun and moon are also delineated, and a brush made of sacred grass is dipped in cow-dung and the figures touched with it. After the recital of verses, a mixture of sugar and butter is let drop on the plank, three, five, or seven times. The celebrant then marks the forehead of the person for whose benefit the service is intended with a coin soaked in butter, and keeps the money as his fee. The service concludes with a waving of lamps to scare vicious ghosts, singing of hymns and offering of gifts to Brâhmans.[59]
At Khalârî, in the Râêpur District of the Central Provinces, is a Satî pillar worshipped under the name of Khalârî Mâtâ. According to the current legend Khalârî Mâtâ often assumes a female human form and goes to the adjacent fairs, carrying vegetables for sale. Whoever asks any gift from her receives it. Once a young man returning from a fair was overtaken by a strange woman on the road, who said she was going to see her sister. She asked him to go in front, and said that she would follow. Not wishing to allow a beautiful young woman to travel alone at night, he hid himself among some bushes. Presently he heard a great jingling noise and saw a four-armed woman go up the steep, bare hill and disappear. It was quite certain that this was Khalârî Mâtâ herself.[60]
In many parts of the plains, Mâyâ, the mother of Buddha, has been introduced into the local worship as the Gânwdevî, or village goddess. Her statues, which are very numerous in some places, are freely utilized for this purpose. In the same way a figure of the Buddha Asvaghosha is worshipped at Deoriya in the Allahâbâd District as Srinagarî Devî.[61]
The Jungle Mothers.
As an instance of another type of Mother-worship we may take Porû Mâî of Nadiya. She is “represented by a little piece of rough black stone painted with red ochre, and placed beneath the boughs of an ancient banyan tree. She is said to have been in the heart of the jungles, with which Nadiya was originally covered, and to have suffered from the fire which Râja Kâsi Nâth’s men lighted to burn down the jungle.”[62] She is, in fact, a Mother goddess of the jungle, of whom there are numerous instances. In the North-Western Provinces she is usually known as Banspatî or Bansapatî Mâî (Vanaspatî, “mistress of the wood”). Agni, the fire god, is described in the Rig Veda as “the son of the Vanaspatis,” or the deities of the large, old forest trees.[63] Another name for her in the Western Districts is Âsarorî, because her shrine is a pile of pebbles (rorî) in which her votaries have confidence (âsâ) that it will protect them from harm. The shrine of the jungle mother is usually a pile of stones and branches to which every passer-by contributes. When she is displeased she allows a tiger or a leopard to kill her negligent votary. She is the great goddess of the herdsmen and other dwellers in the forest, and they vow to her a cock, a goat, or a young pig if she saves them and their cattle from beasts of prey. Sometimes she is identified with the Churel, more often with a Havva or Bhût, the spirit, usually malignant, of some one who has met untimely death in the jungle. Akin to her is the Ghataut of Mirzapur, who is the deity of dangerous hill passes (ghât) and is worshipped in the same way, and Baghaut, the ghost of a man who was killed by a tiger (bâgh). These all, in the villages along the edge of the jungle, merge in character and function with the divine council, or Deohâr, of the local gods.