Εὐρεῖαν, τρίπολον· πολλοὶ δ’ ἀποτῆρες ἐν αὐτῇ
Ζεύγεα δινεύοντες ἐλάστρεον ἔνθα καὶ ἔνθα.
Iliad, xviii. 541–43.
The subject of rural festivals is much too extensive for treatment in a limited space. Here reference will be made only to a few of those ceremonies which illustrate the principles recently elucidated from the folk-lore of Europe by Messrs. Frazer, Gomme, and Mannhardt.[1]
The Akhtîj.
The respect paid to ploughing is illustrated by the early Vedic legend of Sîtâ, who, like the Etruscan Tago, sprung from a furrow.[2] It is only in a later development of the story that she becomes the daughter of Janaka, and wife of Râma Chandra.
The agricultural year in Northern India begins with the ceremony of the Akhtîj, “the undecaying third,” which is celebrated on the third day of the light fortnight in the month of Baisâkh, or May. In the North-Western Provinces the cultivator first fees his Pandit to select an auspicious hour on that day for the commencement of ploughing. In most places he does not begin till 3 p.m.; in Mirzapur the time fixed is usually during the night, as secrecy is in most of these rural ceremonies an important part of the ritual.
In Rohilkhand the cultivator goes at daybreak to one of his fields, which must be of a square or oblong shape. He takes with him a brass drinking vessel of water, a branch of the Mango tree, both of which are, as we have seen, efficacious in scaring spirits, and a spade. The object of the rite is to propitiate Prithivî, “the broad world,” as contrasted with Dhartî Mâî, or “Mother Earth,” and Sesha Nâga, the great snake which supports the world. Whenever Sesha yawns he causes an earthquake.
The Pandit first makes certain observations by which he is able to determine in which direction the snake happens at the time to be lying, because, in order to ease himself of his burden, he moves about beneath the world, and lies, sometimes north and south, north-west and south-east, and so on. This imaginary line having been marked off, the peasant digs up five clods of earth with his spade. This is a lucky number, as it is a quarter more than four. Hence Sawâi, or one and a quarter, has been taken as one of the titles of the Mahârâja of Jaypur. He then sprinkles water five times into the trench with the branch of the sacred mango. The object of this is by a form of sympathetic magic to ensure the productiveness of the crop, and scare the demons of evil which would injure it. In Bombay, at the beginning of the sowing season, a cocoanut is broken and thrown at each side of the plough, so that the soil spirits may leave and make room for Lakshmî, the goddess of prosperity, who is represented by the plough.[3] During all these proceedings the peasant watches the omens most carefully, and if anything inauspicious happens, the ceremony must be discontinued and recommenced at a luckier hour later on in the day. When he gets home, some woman of the family, who must not be a widow, who is naturally considered unlucky, presents him with curds and silver for good luck. He then stays all day in the house, rests, and does no work, and does not even go to sleep. He avoids quarrels and disputes of all kinds, and on that day will give neither grain nor money, nor fire to any one.[4] Next day he eats sweet food and balls of wheaten flour, toasted with curds and sugar, but carefully abstains from salt.