These violent delights have violent ends,
And in their triumph die; like fire and powder,
Which, as they kiss, consume. The sweetest honey
Is loathsome in its own deliciousness,
And in the taste confounds the appetite:
Therefore, love moderately; long love doth so;
Too swift arrives as tardy as too slow.
Shakspeare.
It was a notable fact at this time that Seymour Rereworth, the recluse law-student, whom Mrs. Winston used to rally for his devotion to so crabbed a mistress, became a frequent haunter of the house in Cavendish Square. His acquaintance with the Trevethlans, and his relationship to Gertrude, opened the door, closed to all besides, of that little boudoir where she and Helen used to sit together, when they were unengaged; precisely the same room from which Randolph pointed out to Mildred the star which he fancifully chose as the arbiter of his destiny. There Rereworth, forsaking the tangled intricacies of Astræa, learned to disentangle skeins of silk; there, instead of threading the mazes of some perplexing quibble, he could, on occasion, thread a needle; there, instead of reading of the wars of the alphabet, A against B, and C against D, he would read aloud the newest poem of Byron, or the latest novel of Scott; and Seymour was a good reader, and did not object to hear himself read, particularly when Helen Trevethlan listened. And the expression one can throw into such poetry and such prose is very convenient. So Rereworth was now the Corsair, with—
My own Medora, sure thy song is sad.
Then Selim, with—
Bound where thou wilt, my barb; or glide, my prow—
But be the star that guides the wanderer—thou.
And again he played the romantic with Flora Mac Ivor, or sang serenades with Henry Bertram. It is, we say, a convenient way of making love, which was something very like Seymour's present occupation, when—
The deep, the low, the pleading tone
With which we read another's love,
Interpret may our own.
Pleasant it is to contrast the even and tranquil affection which was thus ripening between Rereworth and Miss Trevethlan, with the turbulent and rebellious passion which linked together Mildred and Randolph. Helen had soon learned to like her brother's friend in his winter visits to Mr. Peach's cottage: her heart thanked him for the zeal which he now displayed in investigating the fraud practised at the recent trial; and she listened to these readings in a mood prepared readily to acquiesce in the emotions they were calculated to excite. Although it must be confessed that the wild passions of Lord Byron's heroes had more in common with the angry humour of Randolph than with her own gentle disposition. Perhaps her pleasure was derived from the voice of the reader rather than the poetry which he read.