"A—it isn't a subject I profess to understand much about," said Mr. Pelly. He blew his nose and wiped his spectacles, and was silent a moment. Then he said, "But whatever the sentiment of the young lady herself may be, there can be no doubt about her mother's. In fact, she has herself told me that she is most anxious that it should not be supposed that there was any engagement. So I trust—if you ever do have the opportunity of speaking to anyone on the subject—that you will be careful not to give the impression that such was the case. I do not, perhaps, fully realise the motives that influence Lady Upwell—a—and Sir Stopleigh,—of course it's the same thing...."
Mr. Pelly stopped with a jerk. He found himself talking uncomfortably and inexplicably to space, beside the embers of a dying fire, and in the distance he could hear the carriage bringing the absentees back through the wintry night, and the ringing tread of the horses on the hard ground.
"Poor Uncle Christopher all by himself, and the fire out!" said the first comer into the Library. It was the young lady who came to see the Italian picture at the restorer's Studio in Chelsea, a little over six months past. She had changed for the older since then, out of measure with the lapse of time. But her face was beautiful—none the less that it was sad and pale—in the glow as she brought the embers together to make life worth living to one or two more faggots, just for a little blaze before we went to bed.
"I was asleep and dreaming," said the old gentleman. "Such a queer dream!"
"You must tell it us to-morrow, Uncle Christopher. I like queer dreams." This young lady, Madeline Upwell, always made use of this mode of address, although the old gentleman was no uncle of hers, but only a very old friend of the family who knew her father before she was born, and called him George, which was his Christian Christian-name, so to speak, "Stopleigh" being outside family recognitions—a mere Bartitude!
But the picture, which might reasonably have protested against Mr. Pelly's statement, remained silent. So, when his waking judgment set the whole down as a dream, it was probably right.
CHAPTER IV
A Retrospective Chapter. How Fortune's Toy and the Sport of Circumstances fell in love with one of his Nurses. Prose composition. Lady Upwell's majesty, and the Queen's. No engagement. The African War, and Justifiable Fratricide. Cain. Madeline's big dog Cæsar. Cats. Ormuzd and Ahriman. A handy little Veldt. Madeline's Japanese kimono. A discussion of the nature of Dreams. Never mind Athenæus. Look at the Prophet Daniel. Sir Stopleigh's great-aunt Dorothea's twins. The Circulating Library and the potted shrimps. How Madeline read the manuscript in bed, and took care not to set fire to the curtains.
The story of Madeline, the young lady who is going one day to inherit the picture Mr. Pelly thought he was talking to last night, along with the Surley Stakes property—for there is no male heir—is an easy story to tell, and soon told. There were a many stories of the sort, just as the clock of last century struck its hundred.