But Sir Murgatroyd scarcely did more than seek for the scapegoat, in case he should be forced to condemn this member of the congregation. He did not pass sentence. He only said gently, "You will feel differently, Judith dear, when you are yourself again. All this has upset you." In reply to which the young lady said wearily, "We shall see, I suppose, presently. I can't be very demonstrative about either now, though of course it's very sad, and so on, about the little girl." And then she talked to the parrot, kissing him and calling him her darling, and saying now he must go back in his wicked cruel cage. All which her father set down to mere bravado, and thought it best to say no more to her in her present mood. But he had a very serious look on his face as they walked towards the house together.

It was a relief to him to hear the robust musical voice of the Rector in the large drawing-room that opened on the lawn, which was their most natural way back into the house. But Judith paused on the terrace. "Oh dear!" said she. "There's our Father Confessor! I can't stand sympathy, and I don't want to be catechized, thank you! Be a dear good papa, and say pretty things for me!" And then, in spite of an attempt at remonstrance by her father, slipped away; going round by a side-terrace that, ending at the house-corner in a vague architectural effort three centuries old—a Nereid and a Triton and a sink, with an Ionic canopy over all to keep the rain off—allowed of an approach to the main façade of the house, and the carriage-drive through the beech avenue in the Park.

But she did not at once carry out her scheme of escape. The shadow of the Ionic canopy was sweet on the base of the sink, and the seat it made was tempting, and the cleanness of its moss and lichens acceptable even to a skirt of crêpe-de-Chine. It was only an old dress, too, according to Judith's ideas, so she spent a little time with the Triton and the Nereid before going on into the house. She felt stunned and bewildered, for all she had shown so bold a front, and was glad of rest.

Presently her desire to know that Challis was progressing got the better of a terror that was on her that his oblivion might be lasting. She could hear the voices of the party in the drawing-room still in conversation, the Rector's very distinctly; so she decided that she could slip indoors with safety, and rose to go.

A little diffident gate, that had shrunk away into the heart of a yew hedge, led out to the drive and entrance to the house; and one could see and not be seen there, even by visitors who had been over the ground before. Judith stopped at this gate, not to be caught by an early sample, unexplained. It was not yet twelve o'clock, and there at the door was a vehicle with one horse, steaming. And a lady in black was descending from it, and Samuel evidently meant to let her in. Judith waited for her to vanish; gave her ample time, more than enough, to be shown into the drawing-room, and then went straight on to the house.

The vehicle was a hired fly from Furnival, whose driver Judith at once recognized as an habitué of the railway-station. He was mopping his brow with his handkerchief, for the morning had become very hot; but he put his hat on to touch it to Miss Arkroyd, who of course was very familiar to him. Having done this, he took it off again, and went on mopping. He referred to the dryness of this sort of day pointedly; but Judith missed his sub-intent, and conceived that the position was covered by the approach of Bullett the groom, with a pail of water for the horse. The lady must have come straight from the train.

Judith looked through the glass door—as she thought, carefully—to make sure the great hall at the foot of the stairs was empty. She was quite without conjecture or suspicion as to who the visitor was, or she might not have contented herself so easily that the coast was clear. Anyhow, there was no one visible from where she stood and looked through. So she passed in and walked straight across to the stairs, and so up to the first landing. As she turned the angle, she saw a lady in black, whom she did not recognize, seated in the recess on the left, who rose when their eyes met. Not a bad-looking woman, of a sort, but not self-explanatory.

Count over the times Judith had met Marianne. They do not amount to much—at least, until that evening at the theatre. Two dinners and a visit in London a couple of years ago—consider how little that means to a young lady who may be under an equal social obligation to remember half-a-dozen new faces every day! Consider, too, that in this early time Mr. Challis was in the eyes of this young lady nothing beyond a popular author whose works she hadn't read; and as for his wife, why should she notice her at all? "Which was she, Sib?" we can fancy her asking. Was she, for instance, the underdressed one with the mole, or the rawboned giggler? Then, as to that visit to the play a few months later, think of the exciting pre-occupations! Is it certain that Miss Arkroyd paid as much attention to her hostess as you and I might have thought the circumstances demanded? Anyhow, there had been nothing to fix Marianne in Judith's memory to such an extent that she should recall at once the travel-worn—and trouble-worn—face she hardly glanced at, and would have left without a second look had its owner not risen, as though to speak. She might have done so, nevertheless, if it had not been for something in the visitor's action which suggested a lady kept outside the drawing-room rather than a person allowed inside the house. You know the sort of difference—the difference between subservient conciliation and conciliatory self-assertion.

What caught and retained Judith's second look was that this person answered to neither description. Her manner was sui generis, and the genus had in it a touch of something odd that wasn't insanity. Was it desperation? It was creditable to Judith's penetration that she at once dismissed the only idea that suggested itself. An image shot into her mind of Jim Coupland's sister, employed as cook by Challis, humorously described by him more than once. Stuff and nonsense!—out of the question!

"Are you ... being attended to?" She threw a slight smile of protest into the question, to guard against the possibility of wrong form. If she had mistaken the facts, her hearer would understand the implication of courtesy—no fear of misunderstanding between us!