"Bearman, I think, or Dearman. But why?—Oh, no, by-the-bye, I think it's Beazley."
"Because I could write and ask, or call. Sure to hear something."
"My dear, you'll hear nothing, and they'll only think you mad." Rosalind was beginning to feel that she had made a mistake. She did not feel so sure Sally would hear nothing. A recollection crossed her mind of how one of the few incidents there was time for in her short married life had been the writing of a letter by her husband to his friend, the real Fenwick, and of much chaff therein about the eldest of these very daughters, and her powerful rivalry to Jessie Nairn. It came back to her now. Sally alarmed her still further.
"Yes, mother. I shall just get Mr. Fenwick to hunt up the address, and go and call on the Beazleys." This sudden assumption of a concrete form by the family was due to a vivid image that filled Sally's active brain immediately of a household of parched women presided over by a dried man who owned a wig on
a stand and knew what chaff-wax meant, which she didn't. A shop window near Lincoln's Inn was responsible. But to Rosalind it really seemed that Sally must have had other means of studying this family, and she was frightened.
"You don't know them, kitten?"
"Not the least. Don't want to." This reflection suggests caution. "Perhaps I'd better write...."
"Better do nothing of the sort, child. Better go to sleep...."
"All right." But Sally does not like quitting the subject so abruptly, and enlarges on it a little more. She sketches out a letter to be written to the lady who is at present a buffer-state between the dried man and the parched women. "Dear madam," she recites, "you may perhaps recall—or will perhaps recall—which is right, mother?"
"Either, dear. Go to sleep." But just at this moment Rosalind recollects with satisfaction that the name was neither Beazley nor Dearman, but Tressilian Tredgold. She has been thinking of falling back on affectation of sleep to avoid more alarms, but this makes it needless.