"Chap seems in a great hurry!" said he to his neighbour clerk. "What's he got that great big ring on his thumb for?" And the other replying: "Don't you know 'em—rheumatic rings?" he added: "Doesn't look a rheumatic customer, anyhow!" And then both of them pinned up cheques, and made double entries.
The chap didn't seem in a great hurry as he sauntered away along Cornhill, looking in at the shop-windows. He gave the idea of a chap with a fine June day before him in London, with a plethora of choices of what to do and where to go. Also of being keenly interested in everything, like a chap that had not been in London for a long time. After watching the action of a noiseless new petroleum engine longer than its monotonous idea of life seemed to warrant, he told a hansom to take him to the Tower, for which service he paid a careless two shillings. The driver showed discipline, and concealed his emotions. He wasn't going to let out that it was a double fare, and impair a fountain of wealth for other charioteers to come. Not he!
The fare enjoyed himself evidently at the Tower. He saw everything
he could be admitted to—the Beauchamp Tower for sixpence, and the Jewel-house for sixpence. And he gave uncalled-for gratuities. When he had thoroughly enjoyed all the dungeons and all the torture-relics, and all the memories of Harrison Ainsworth's romance, read in youth and never forgotten, he told another hansom to drive him across the Tower Bridge, and not go too fast.
As he crossed the Bridge he looked at his watch. It was half-past twelve. He would have time to get back before half-past one to a restaurant he had made a mental note of near the Bank, and still to allow the cabby to drive on a bit through the transpontine and interesting regions of Rotherhithe and Cherry Garden Pier. It was so unlike anything he had been seeing lately. None the worse for the latter, in some respects. So, at least, thought the fare.
For he had the good, or ill, fortune to strike on a rich vein of so-called life in a London slum. Shrieks of fury, terror, pain were coming out of an archway that led, said an inscription, into Livermore's Rents, 1808. Public opinion, outside those Rents, ascribed them to the fact that Salter had been drinking. He was on to that pore wife of his again, like last week. Half killed her, he did, then! But he was a bad man to deal with, and public opinion wouldn't go down that court if I was you.
"But you're not, you see!" said the fare, who had sought this information. "You stop here, my lad, till I come back." This to the cabman, who sees him, not without misgivings about a source of income, plunge into the filthy and degraded throng that is filling the court, and elbow his way to the scene of excitement.
"He's all right!" said that cabby. "I'll put a tenner on him, any Sunday morning"—a figure of speech we cannot explain.
From his elevation above the crowd he can see a good deal of what goes on, and guess the rest. Of what he hears, no phrase could be written without blanks few readers could fill in, and for the meaning of which no equivalent can even be hinted. The actual substance of the occurrence, that filters through the cries of panic and of some woman or child, or both, in agony, the brutal bellowings and threats of a predominant drunken lout, presumably Mr. Salter, the incessant appeals to God and Christ
by terrified women, and the rhetorical use of the names of both by the men, with the frequent suggestion that some one else should go for the police—this actual substance may be drily stated thus: Mr. Salter, a plumber by trade, but at present out of work, had given way to ennui, and to relieve it had for two days past been beating and otherwise maltreating his daughter, aged fourteen, and had threatened the life of her mother for endeavouring to protect her. At the moment when he comes into this story (as a mere passing event we shall soon forget without regret) he is engaged in the fulfilment of a previous promise to his unhappy wife—a promise we cannot transcribe literally, because of the free employment of a popular adjective (supposed to be a corruption of "by Our Lady") before or after any part of speech whatever, as an expletive to drive home meaning to reluctant minds. It is an expression unwelcome on the drawing-room table. But, briefly, what Mr. Salter had so sworn to do was to twist his wife's nose off with his finger and thumb. And he did not seem unlikely to carry out his threat, as Livermore's tenantry lacked spirit or will to interpose, and did nothing but shriek in panic when feminine, and show discretion when masculine; mostly affecting indifference, and saying they warn't any good, them Salters. The result seemed likely to turn on whether the victim's back hair would endure the tension as a fulcrum, or would come rippin' out like so much grarse.