Gwen had taken little or no notice of what was passing, since that betraying incident of the Crown Derby set. Her mind was at work on schemes for discovery of the truth about those eyes. She got on the track of a good one. If she could only contrive to be alone with him for one moment. Yes—it was worth trying?
It was her mother's inexplicable alacrity to be gone that gave the opportunity. Her ladyship said good-bye to Mr. Torrens; was sorry she had to go, but the Earl was so fussy about anything the least like an appointment—some concession to conscience in the phrasing of this—in short, go she must! Having committed herself thus, to wait for her daughter would have been the merest self-stultification. She went out multiplying apologies, and Irene naturally accompanied her along the lobby, assisted and sanctioned by Achilles. Gwendolen was alone with the man who was still credited with sight enough to see something—provided that it was a palpable something. Now—if she could only play her part right!
"Mamma is always in such a fuss to go somewhere and do something else," she said, rather affecting the drawl of a fashionable young lady; for she could hide anxiety better, she felt, that way. "Do you know, Mr. Torrens, I don't believe a word of all that about people coming. Nobody's coming. If there is, they've been there ever so long. I did so want to talk to you about one of your poems. I mustn't stop now, I suppose, or I shall be in a scrape." But all the while that she was saying this she was standing with her right hand outstretched, as though to say good-bye. Only the word remained unspoken.
"Which of my poems was it?" He was to all seeming looking full at her, yet his hand did not come out to meet hers. There was hope still. How could he ratify an adieu with a handshake, on the top of a question that called for an answer?
Gwen had not arranged the point in her mind—had not thought of any particular poem in fact. She took the first that occurred to her. "It's the one called 'A Vigil in Darkness,'" she said. And then she would have been so glad to withdraw it and substitute another. That was not possible—she had to finish:—"I wanted to know if any other English poet has ever used 'starren' for stars."
Adrian laughed. "I remember," said he; then quoted: "'The daughters of the dream witch come and go,' don't they? 'The black bat hide the starren of the night.' That's it, isn't it?... No—so far as I know! But they are a queer lot. Nobody ever knows what they'll be at next in the way of jargon. It's some rubbish I wrote when I was a boy. I put it with the others to please 'Re." This was his shortest for Irene.
If he would only have toned down his blank ignorance of the beautiful white hand stretched out so appealingly to him—made the least concession! If he had but held in readiness an open-fingered palm, with intent, there would have been hope. But alas!—no such thing. When, instead, he thrust both hands into the pockets of the blue Mandarin-silk dressing-gown, Gwen felt exactly as if a knife had cut her heart. And there were his two beautiful eyes looking—looking—straight at her! Need Fate have worded an inexorable decree so cruelly?
Hope caught at a straw, more suo. What was more likely than that darkness was intermittent? Many things—most things for that matter! Any improbability to outwit despair. Anything rather than final surrender. Therefore, said Gwen to herself, her hand outstretched should await his, however sick at heart its owner felt, till the last pretext of belief had flagged and died—belief in the impossibility of so terrible a doom, consistently with any decent leniency of the Creator towards His creatures.
"Oh—to please Irene, was it?" said Gwen, talking chancewise; not meaning much, but hungering all the while for the slightest aliment for starving Hope. "Who were 'the daughters of the Dream Witch?'" And then she was sorry again. Better that a poem about darkness should have been forgotten! She kept her hand outstretched, mind you!—even though Adrian made matters worse by folding his hands round his arms on a high chair-back, and leaning on it. "I wonder who she is," was the girl's thought, as she looked at a ring.
"Let me see!" said he. "How does it go?" Then he quoted, running the lines into one: "'In the night-watches in the garden of Night ever the watchman sorrowing for the light waiteth in silence for the silent Dawn. Dead sleep is on the city far below.' Then the daughters of the Dream Witch came and went as per contract. No—I haven't the slightest idea who they were. They didn't leave their names."