The trespasser seems at a loss which way to go, and wavers this way and that. His dog stands at his feet looking up at him, wagging a slow tail; deferentially offering no suggestion, but ready with advice if called upon. The young lady's thought is:—"Why can't he let that sweet dog settle it for him? He would find the way." Because she is sure of the sweetness of that collie, even at this distance. Ultimately the trespasser leaves the matter to the dog, who appears gratified and starts straight for where she stands. Dogs always do, says she to herself. But there is the haw-haw fence between them.
The dog stops. Not because of the obstacle—what does he care for obstacles?—but because of the courtesies of life. The man that made this sunk fence did it to intercept any stray collie in the parkland from scouring across into the terraced garden, even to inaugurate communications between a strange young lady and the noblest of God's creatures, his owner. That is the dog's view. So he stands where the fence has stopped him, a beseeching explanatory look in his pathetic eyes; and a silky tail, that is nearly dry already, marking time slowly. A movement of permission would bring him across into the garden; but then—is he not too wet? Young Lady Gwendolen says "No, dear!" regretfully, and shakes her head as though he would understand the negative. Perhaps he does, for he trots back to his master, who, however—it must be admitted—has whistled for him.
The pedestrian turns to go, but sees the lady well, though not very near her yet. She knows he sees her, as he raises his hat. She has an impression of his personality from the action; which, it may be, guides her conduct in what follows.
He seems to have made up his mind to avoid the house, taking a visible path which skirts it, and possibly to strike away from it into the wider parkland, over yonder where the great oaks are. He is soon lost in a hazel coppice.
Then she thinks. That dog will be shot if Solmes catches sight of it. She knows old Stephen. Oh, for but one word with the dog's master! It might just make the whole difference.
She does not think long; in fact, there is no time to lose. The man and the dog must pass over Arthur's Bridge if they follow the path. She can intercept them there by taking a short cut through the Trings; a name with a forgotten origin, which hugs the spot unaccountably. "I wonder what a tring was, and when" says Gwendolen to herself, between those unsolved riddles and the bridge.
The bridge is a little stone bridge, just wide enough for a chaise to go through gently. Gwendolen has soaked her shoes to reach it. Still, she must save that dog from the Ranger's gun at any cost. A fig for the wet! She has to dress for dinner—indeed, her maid is waiting for her now—and dry stockings will be a negligible factor in that great total. There comes the pedestrian round by Swayne's Oak—another name whose origin no man knows.
The dog catches sight of her, and is off like a shot, his master trying vainly to whistle him back. The young lady is quite at ease—she is not afraid of dogs! She even laughs at this one's demonstrative salute, which leaves a paw-mark on either shoulder. For dogs do not scruple to kiss those they love, without making compliments.
His master is apologetic, coming up with a quickened pace. At a rebuke from him the collie becomes apologetic too; would be glad to explain, but is handicapped by language. He is, however, all repentance, and falls back behind his master, leaving matters in his hands. At the least—though the way of doing it may have been crude—he has brought about an introduction, of a sort.
There is no intrusive wish on the man's part to take undue advantage of it. His speech, "Achilles means well; it is only his cordiality," seems to express the speaker's feeling that somehow he is certain to be understood. His addendum—"I am really as sorry as I can be, all the same"—may be credited to ceremonial courtesy, flavoured with contrition. His wind-up has a sort of laugh behind it:—"Particularly because I have no business in this part of the Park at all. I can only remedy that by my absence."