THE VICE OF EXCESS.
Anxiety defeats itself.—Anxiety sacrifices the present to the future. When this becomes a habit it defeats its own end. For the future is nothing but a succession of moments, which, when they are realized, are present moments. And the man who sacrifices all the present moments to his conception of a future, sacrifices the very substance out of which the real future is composed. For when he reaches the time to which he has been looking forward, and for the sake of which he has sacrificed all his early days, the habit of anxiety stays by him and compels him to sacrifice that future, now become present, to another future, still farther ahead; and so on forever. Thus life becomes an endless round of fret and worry, full of imaginary ills, destitute of all real and present satisfaction. It is a good rule never to cross a bridge until we come to it. Prudence demands that we make reasonable preparation for crossing it in advance. But when these preparations are made prudence has done its work, and waits calmly until the time comes to put its plans into operation. Anxiety fills all the intervening time with forebodings of all the possible obstacles that may arise when the time for action comes.
Procrastination, anxiety, and prudence.—Procrastination sacrifices the future to the present. Anxiety sacrifices the present to the future. Prudence co-ordinates present and future in a consistent whole, in which both present and future have their proper place and due consideration.
THE PENALTY.
Imperfect co-ordination, whether by procrastination or by worry, brings discord. The parts of life are at variance with each other. The procrastinator looks on past indulgence with remorse and disgust; for that past indulgence is now loading him down with present disabilities and pains. He looks on the future with apprehension, for he knows that his present pleasures are purchased at the cost of misery and degradation in years to come.
The man in whom worry and anxiety have become habitual likewise lives a discordant life. He looks out of a joyless present, back on a past devoid of interest, and forward into a future full of fears.