"My little ones kissed me a thousand times o'er,
And my wife sobbed aloud in her fulness of heart.
"'Stay, stay with us! Stay! Thou art weary and worn!'
And fain was their war-broken soldier to stay;
But sorrow returned at the dawning of morn,
And the voice in my dreaming ear melted away!"

He was himself both the war-broken soldier and the little ones that kissed him, in the rapture of this now old-fashioned music, and he woke with pangs of heartbreak in the very person of the dreamer.

But he could not make anything either of Byron or Cowper; and he did not even try to read the little tree-calf volumes of Homer and Virgil which his father had in the versions of Pope and Dryden; the small copperplates with which they were illustrated conveyed no suggestion to him. Afterwards he read Goldsmith's "Deserted Village," and he formed a great passion for Pope's "Pastorals," which he imitated in their easy heroics; but till he came to read Longfellow, and Tennyson, and Heine, he never read any long poem without more fatigue than pleasure. His father used to say that the taste for poetry was an acquired taste, like the taste for tomatoes, and that he would come to it yet; but he never came to it, or so much of it as some people seemed to do, and he always had his sorrowful misgivings as to whether they liked it as much as they pretended. I think, too, that it should be a flavor, a spice, a sweet, a delicate relish in the high banquet of literature, and never a chief dish; and I should not know how to defend my boy for trying to make long poems of his own at the very time when he found it so hard to read other people's long poems.

He had no conception of authorship as a vocation in life, and he did not know why he wanted to make poetry. After first flaunting his skill in it before the boys, and getting one of them into trouble by writing a love-letter for him to a girl at school, and making the girl cry at a thing so strange and puzzling as a love-letter in rhyme, he preferred to conceal his gift. It became

"His shame in crowds—his solitary pride,"

and he learned to know that it was considered soft to write poetry, as indeed it mostly is. He himself regarded with contempt a young man who had printed a piece of poetry in his father's newspaper and put his own name to it. He did not know what he would not have done sooner than print poetry and put his name to it; and he was melted with confusion when a girl who was going to have a party came to him at the printing-office and asked him to make her the invitations in verse. The printers laughed, and it seemed to the boy that he could never get over it.

But such disgraces are soon lived down, even at ten years, and a great new experience which now came to him possibly helped the boy to forget. This was the theatre, which he had sometimes heard his father speak of. There had once been a theatre in the Boy's Town, when a strolling company came up from Cincinnati, and opened for a season in an empty pork-house. But that was a long time ago, and, though he had written a tragedy, all that the boy knew of a theatre was from a picture in a Sunday-school book where a stage scene was given to show what kind of desperate amusements a person might come to in middle life if he began by breaking the Sabbath in his youth. His brother had once been taken to a theatre in Pittsburgh by one of their river-going uncles, and he often told about it; but my boy formed no conception of the beautiful reality from his accounts of a burglar who jumped from a roof and was chased by a watchman with a pistol up and down a street with houses painted on a curtain.

"THE BEACON OF DEATH."

The company which came to the Boy's Town in his time was again from Cincinnati, and it was under the management of the father and mother of two actresses, afterwards famous, who were then children, just starting upon their career. These pretty little creatures took the leading parts in "Bombastes Furioso," the first night my boy ever saw a play, and he instantly fell impartially in love with both of them, and tacitly remained their abject slave for a great while after. When the smaller of them came out with a large pair of stage boots in one hand and a drawn sword in the other, and said,