When she saw it first, the city's walls and other warlike ostentations had taken her imagination with the historic grandeur of Quebec; but the fascination deepened now that she was admitted, as it were, to the religious heart and the domestic privacy of the famous old town. She was romantic, as most good young girls are; and she had the same pleasure in the strangeness of the things about her as she would have felt in the keeping of a charming story. To Fanny's "Well, Kitty, I suppose all this just suits you," when she had returned to the little parlor where the sufferer lay, she answered with a sigh of irrepressible content, "O yes! could anything be more beautiful?" and her enraptured eye dwelt upon the low ceilings, the deep, wide chimneys eloquent of the mighty fires with which they must roar in winter, the French windows with their curious and clumsy fastenings, and every little detail that made the place alien and precious.
Fanny broke into a laugh at the visionary absence in her face.
"Do you think the place is good enough for your hero and heroine?" asked she, slyly; for Kitty had one of those family reputes, so hard to survive, for childish attempts of her own in the world of fiction where so great part of her life had been passed; and Mrs. Ellison, who was as unliterary a soul as ever breathed, admired her with the heartiness which unimaginative people often feel for their idealizing friends, and believed that she was always deep in the mysteries of some plot.
"O, I don't know," Kitty answered with a little color, "about heroes and heroines; but, I'd like to live here, myself. Yes," she continued, rather to herself than to her listener, "I do believe this is what I was made for. I've always wanted to live amongst old things, in a stone house with dormer-windows. Why, there isn't a single dormer-window in Eriecreek, nor even a brick house, let alone a stone one. O yes, indeed! I was meant for an old country."
"Well, then, Kitty, I don't see what you're to do but to marry East and live East; or else find a rich husband, and get him to take you to Europe to live."
"Yes; or get him to come and live in Quebec. That's all I'd ask, and he needn't be a very rich man, for that."
"Why, you poor child, what sort of husband could you get to settle down in this dead old place?"
"O, I suppose some kind of artist or literary man."
This was not Mrs. Ellison's notion of the kind of husband who was to realize for Kitty her fancy for life in an old country; but she was content to let the matter rest for the present, and, in a serene thankfulness to the power that had brought two marriageable young creatures together beneath the same roof, and under her own observance, she composed herself among the sofa-cushions, from which she meant to conduct the campaign against Mr. Arbuton with relentless vigor.
"Well," she said, "it won't be fair if you are not happy in this world, Kitty, you ask so little of it"; while Kitty turned to the window overlooking the street, and lost herself in the drama of the passing figures below. They were new, and yet oddly familiar, for she had long known them in the realm of romance. The peasant-women who went by, in hats of felt or straw, some on foot with baskets, and some in their light market-carts, were all, in their wrinkled and crooked age or their fresh-faced, strong-limbed youth, her friends since childhood in many a tale of France or Germany; and the black-robed priests, who mixed with the passers on the narrow wooden sidewalk, and now and then courteously gave way, or lifted their wide-rimmed hats in a grave, smiling salutation, were more recent acquaintances, but not less intimate. They were out of old romances about Italy and Spain, in which she was very learned; and this butcher's boy, tilting along through the crowd with a half-staggering run, was from any one of Dickens's stories, and she divined that the four-armed wooden trough on his shoulder was the butcher's tray, which figures in every novelist's description of a London street-crowd. There were many other types, as French mothers of families with market-baskets on their arms; very pretty French school-girls with books under their arms; wild-looking country boys with red raspberries in birch-bark measures; and quiet gliding nuns with white hoods and downcast faces: each of whom she unerringly relegated to an appropriate corner of her world of unreality. A young, mild-faced, spectacled Anglican curate she did not give a moment's pause, but rushed him instantly through the whole series of Anthony Trollope's novels, which dull books, I am sorry to say, she had read, and liked, every one; and then she began to find various people astray out of Thackeray. The trig corporal, with the little visorless cap worn so jauntily, the light stick carried in one hand, and the broad-sealed official document in the other, had also, in his breast-pocket, one of those brief, infrequent missives which Lieutenant Osborne used to send to poor Amelia; a tall, awkward officer did duty for Major Dobbin; and when a very pretty lady driving a pony carriage, with a footman in livery on the little perch behind her, drew rein beside the pavement, and a handsome young captain in a splendid uniform saluted her and began talking with her in a languid, affected way, it was Osborne recreant to the thought of his betrothed, one of whose tender letters he kept twirling in his fingers while he talked.