The young beggar who had held Mrs. Vervain’s gondola to the shore while she talked, looked up and down the deserted quay, and at the doors and windows. Then he began to take off his clothes for a bath.

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XVII.

Ferris returned at nightfall to his house, where he had not been since daybreak, and flung himself exhausted upon the bed. His face was burnt red with the sun, and his eyes were bloodshot. He fell into a doze and dreamed that he was still at Malamocco, whither he had gone that morning in a sort of craze, with some fishermen, who were to cast their nets there; then he was rowing back to Venice across the lagoon, that seemed a molten fire under the keel. He woke with a heavy groan, and bade Marina fetch him a light.

She set it on the table, and handed him the card Mrs. Vervain had left. He read it and read it again, and then he laid it down, and putting on his hat, he took his cane and went out. “Do not wait for me, Marina,” he said, “I may be late. Go to bed.”

He returned at midnight, and lighting his candle took up the card and read it once more. He could not tell whether to be glad or sorry that he had failed to see the Vervains again. He took it for granted that Don Ippolito was to follow; he would not ask himself what motive had hastened their going. The reasons were all that he should never more look upon the woman so hatefully lost to him, but a strong instinct of his heart struggled against them.

He lay down in his clothes, and began to dream almost before he began to sleep. He woke early, and went out to walk. He did not rest all day. Once he came home, and found a letter from Mrs. Vervain, postmarked Verona, reiterating her lamentations and adieux, and explaining that the priest had relinquished his purpose, and would not go to America at all. The deeper mystery in which this news left him was not less sinister than before.

In the weeks that followed, Ferris had no other purpose than to reduce the days to hours, the hours to minutes. The burden that fell upon him when he woke lay heavy on his heart till night, and oppressed him far into his sleep. He could not give his trouble certain shape; what was mostly with him was a formless loss, which he could not resolve into any definite shame or wrong. At times, what he had seen seemed to him some baleful trick of the imagination, some lurid and foolish illusion.

But he could do nothing, he could not ask himself what the end was to be. He kept indoors by day, trying to work, trying to read, marveling somewhat that he did not fall sick and die. At night he set out on long walks, which took him he cared not where, and often detained him till the gray lights of morning began to tremble through the nocturnal blue. But even by night he shunned the neighborhood in which the Vervains had lived. Their landlord sent him a package of trifles they had left behind, but he refused to receive them, sending back word that he did not know where the ladies were. He had half expected that Mrs. Vervain, though he had not answered her last letter, might write to him again from England, but she did not. The Vervains had passed out of his world; he knew that they had been in it only by the torment they had left him.

He wondered in a listless way that he should see nothing of Don Ippolito. Once at midnight he fancied that the priest was coming towards him across a campo he had just entered; he stopped and turned back into the calle: when the priest came up to him, it was not Don Ippolito.