Marcia did not know what the parquet was; she heard its name with the certainty that but for Bartley she should not be equal to it. All her village pride was quelled; she had only enough self-control to act upon Bartley's instructions not to give herself away by any conviction of rusticity. They passed in through the long, colonnaded vestibule, with its paintings, and plaster casts, and rows of birds and animals in glass cases on either side, and she gave scarcely a glance at any of those objects, endeared by association, if not by intrinsic beauty, to the Boston play-goer. Gulliver, with the Liliputians swarming upon him; the painty-necked ostriches and pelicans; the mummied mermaid under a glass bell; the governors' portraits; the stuffed elephant; Washington crossing the Delaware; Cleopatra applying the asp; Sir William Pepperell, at full length, on canvas; and the pagan months and seasons in plaster,—if all these are, indeed, the subjects,—were dim phantasmagoria amid which she and Bartley moved scarcely more real. The usher, in his dress-coat, ran up the aisle to take their checks, and led them down to their seats; half a dozen elegant people stood to let them into their places; the theatre was filled with faces. At Portland, where she saw the “Lady of Lyons,” with her father, three-quarters of the house was empty.
Bartley only had time to lean over and whisper, “The place is packed with Beacon Street swells,—it's a regular field night,”—when the bell tinkled and the curtain rose.
As the play went on, the rich jacqueminot-red flamed into her cheeks, and burnt there a steady blaze to the end. The people about her laughed and clapped, and at times they seemed to be crying. But Marcia sat through every part as stoical as a savage, making no sign, except for the flaming color in her cheeks, of interest or intelligence. Bartley talked of the play all the way home, but she said nothing, and in their own room he asked: “Didn't you really like it? Were you disappointed? I haven't been able to get a word out of you about it. Didn't you like Boucicault?”
“I didn't know which he was,” she answered, with impassioned exaltation. “I didn't care for him. I only thought of that poor girl, and her husband who despised her—”
She stopped. Bartley looked at her a moment, and then caught her to him and fell a-laughing over her, till it seemed as if he never would end. “And you thought—you thought,” he cried, trying to get his breath,—“you thought you were Eily, and I was Hardress Cregan! Oh, I see, I see!” He went on making a mock and a burlesque of her tragical hallucination till she laughed with him at last. When he put his hand up to turn out the gas, he began his joking afresh. “The real thing for Hardress to do,” he said, fumbling for the key, “is to blow it out. That's what Hardress usually does when he comes up from the rural districts with Eily on their bridal tour. That finishes off Eily, without troubling Danny Mann. The only drawback is that it finishes off Hardress, too: they're both found suffocated in the morning.”
XIV.
The next day, after breakfast, while they stood together before the parlor fire, Bartley proposed one plan after another for spending the day. Marcia rejected them all, with perfectly recovered self-composure.
“Then what shall we do?” he asked, at last.
“Oh, I don't know,” she answered, rather absently. She added, after an interval, smoothing the warm front of her dress, and putting her foot on the fender, “What did those theatre-tickets cost?”