“Well, that's what I don't know,” he answered. “I can't find another subject like that, so easily.”
“Why, if people care to read about a logging-camp, I should think they would read about almost anything. Nothing could be too common for them. You might even write about the trouble of getting cheap enough rooms in Boston.”
“Marcia,” cried Bartley, “you're a treasure! I'll write about that very thing! I know the Chronicle-Abstract will be glad to get it.”
She thought he was joking, till he came to her after a while for some figures which he did not remember. He had the true newspaper instinct, and went to work with a motive that was as different as possible from the literary motive. He wrote for the effect which he was to make, and not from any artistic pleasure in the treatment. He did not attempt to give it form,—to imagine a young couple like himself and Marcia coming down from the country to place themselves in the city; he made no effort to throw about it the poetry of their ignorance and their poverty, or the pathetic humor of their dismay at the disproportion of the prices to their means. He set about getting all the facts he could, and he priced a great many lodgings in different parts of the city; then he went to a number of real-estate agents, and, giving himself out as a reporter of the Chronicle-Abstract, he interviewed them as to house-rents, past and present. Upon these bottom facts, as he called them, he based a “spicy” sketch, which had also largely the character of an exposé. There is nothing the public enjoys so much as an exposé: it seems to be made in the reader's own interest; it somehow constitutes him a party to the attack upon the abuse, and its effectiveness redounds to the credit of all the newspaper's subscribers. After a week's stay in Boston, Bartley was able to assume the feelings of a native who sees his city falling into decay through the rapacity of its landladies. In the heading of ten or fifteen lines which he gave his sketch, the greater number were devoted to this feature of it; though the space actually allotted to it in the text was comparatively small. He called his report “Boston's Boarding-Houses,” and he spent a paragraph upon the relation of boarding-houses to civilization, before detailing his own experience and observation. This part had many of those strokes of crude picturesqueness and humor which he knew how to give, and was really entertaining; but it was when he came to contrast the rates of house-rent and the cost of provisions with the landladies'
“PERPENDICULAR PRICES,”
that Bartley showed all the virtue of a born reporter. The sentences were vivid and telling; the ensemble was very alarming; and the conclusion was inevitable, that, unless this abuse could somehow be reached, we should lose a large and valuable portion of our population,—especially those young married people of small means with whom the city's future prosperity so largely rested, and who must drift away to find homes in rival communities if the present exorbitant demands were maintained.
As Bartley had foretold, he had not the least trouble in selling this sketch to the Chronicle-Abstract. The editor probably understood its essential cheapness perfectly well; but he also saw how thoroughly readable it was. He did not grumble at the increased price which Bartley put upon his work; it was still very far from dear; and he liked the young Downeaster's enterprise. He gave him as cordial a welcome as an overworked man may venture to offer when Bartley came in with his copy, and he felt like doing him a pleasure. Some things out of the logging-camp sketch had been copied, and people had spoken to the editor about it, which was a still better sign that it was a hit.
“Don't you want to come round to our club to-night?” asked the editor, as he handed Bartley the order for his money across the table. “We have a bad dinner, and we try to have a good time. We're all newspaper men together.”
“Why, thank you,” said Bartley, “I guess I should like to go.”
“Well, come round at half-past five, and go with me.”