I laughed at this tragical image. “Can she be such a terror?”
“She is an ideal. And Mrs. Deering is as afraid as death of her. Of course she has to live up to her. It’s probably been the struggle of her life, and I can quite imagine her letting her husband die before she would take Miss Gage back, unless she went back satisfied.”
“I don’t believe I can imagine so much as that exactly, but I can imagine her being afraid of Miss Gage’s taking it out of her somehow. Now she will take it out of us. I hope you realise that you’ve done it now, my dear. To be sure, you will have all your life to repent of your rashness.”
“I shall never repent,” Mrs. March retorted hardily. “It was the right thing, the only thing. We couldn’t have let that poor creature stay on, when she was so anxious to get back to her husband.”
“No.”
“And I confess, Basil, that I feel a little pity for that poor girl, too. It would have been cruel, it would have been fairly wicked, to let her go home so soon, and especially now.”
“Oh! And I suppose that by especially now, you mean Kendricks,” I said, and I laughed mockingly, as the novelists say. “How sick I am of this stale old love-business between young people! We ought to know better—we’re old enough; at least you are.”
She seemed not to feel the gibe. “Why, Basil,” she asked dreamily, “haven’t you any romance left in you?”
“Romance? Bah! It’s the most ridiculous unreality in the world. If you had so much sympathy for that stupid girl, in that poor woman in her anxiety about her disappointment, why hadn’t you a little for her sick husband? But a husband is nothing—when you have got him.”
“I did sympathise with her.”