The infirmity of the door-latch was emblematic of a temperamental infirmity in the whole hotel. The promises were those of Madrid, but the performances were those of Segovia. There was a glitter, almost a glare, of Ritz-like splendor, and the rates were Ritz-like, but there the resemblance ceased. The porter followed us to our rooms on our arrival and told us in excellent English (which excelled less and less throughout our stay) that he was the hall porter and that we could confidently refer all our wants to him; but their reference seemed always to close the incident. There was a secretary who assured us that our rooms were not dear, and who could not out of regard to our honor and comfort consider cheaper ones; and then ceased to be until he receipted our bill when we went away. There was a splendid dining-room with waiters of such beauty and dignity, and so purple from clean shaving, that we scarcely dared face them, and there were luncheons and dinners of rich and delicate superabundance in the menu, but of an exquisite insipidity on the palate, and of a swiftly vanishing Barmecide insubstantiality, as if they were banquets from the Arabian Nights imagined under the rule of the Moors. Everywhere shone silver-bright radiators, such as we had not seen since we left their like freezing in Burgos; but though the weather presently changed from an Andalusian softness to a Castilian severity after a snowfall in the Sierra, the radiators remained insensible to the difference and the air nipped the nose and fingers wherever one went in the hotel. The hall porter, who knew everything, said the boilers were out of order, and a traveler who had been there the winter before confirmed him with the testimony that they were out of order even in January. There may not have been any fire under them then, as there was none now; but if they needed repairing now it was clearly because they needed repairing then. In the corner of one of our rooms the frescoed plastering had scaled off, and we knew that if we came back a year later the same spot would offer us a familiar welcome.
But why do I gird at that hotel in Granada as if I knew of no faults in American hotels? I know of many and like faults, and I do not know of a single hotel of ours with such a glorious outlook and downlook as that hotel in Granada. The details which the sunlight of the morrow revealed to us when we had mastered the mystery of our window-catch and stood again on our balcony took nothing from the loveliness of the moonlight picture, but rather added to it, and, besides a more incredible scene of mountain and plain and city, it gave us one particular tree in a garden almost under us which my heart clings to still with a rapture changing to a fond regret. At first the tree, of what name or nature I cannot tell, stood full and perfect, a mass of foliage all yellow as if made up of “patines of bright gold.” Then day by day, almost hour by hour, it darkened and the tree shrank as if huddling its leaves closer about it in the cold that fell from the ever-snowier Sierra. On the last morning we left its boughs shaking in the rain against the cold,
Bare, ruined choir where late the sweet birds sang.
IV
But we anticipate, as I should say if I were still a romantic novelist. Many other trees in and about Granada were yellower than that one, and the air hung dim with a thin haze as of Indian summer when we left our hotel in eager haste to see the Alhambra such as travelers use when they do not want some wonder of the world to escape them. Of course there was really no need of haste, and we had to wait till our guide could borrow a match to light the first of the cigarettes which he never ceased to smoke. He was commended to us by the hall porter, who said he could speak French, and so he could, to the extreme of constantly saying, with a wave of his cigarette, “N’est ce pas?” For the rest he helped himself out willingly with my small Spanish. At the end he would have delivered us over to a dealer in antiquities hard by the gate of the palace if I had not prevented him, as it were, by main force; he did not repine, but we were not sorry that he should be engaged for the next day.
Our way to the gate, which was the famous Gate of Justice and was lovely enough to be the Gate of Mercy, lay through the beautiful woods, mostly elms, planted there by the English early in the last century. The birds sang in their tops, and the waters warbled at their feet, and it was somewhat thrillingly cold in their dense shade, so that we were glad to get out of it, and into the sunshine where the old Moorish palace lay basking and dreaming. At once let me confide to the impatient reader that the whole Alhambra, by which he must understand a citadel, and almost a city, since it could, if it never did, hold twenty thousand people within its walls, is only historically and not artistically more Moorish than the Alcazar at Seville. Far nobler and more beautiful than its Arabic decorativeness in tinted stucco is the palace begun by Charles V., after a design in the spirit of the supreme hour of the Italian Renaissance. It is not a ruin in its long arrest, and one hears with hopeful sympathy that the Spanish king means some day to complete it. To be sure, the world is, perhaps, already full enough of royal palaces, but since they return sooner or later to the people whose pockets they come out of, one must be willing to have this palace completed as the architect imagined it.
We were followed into the Moorish palace by the music of three blind minstrels who began to tune their guitars as soon as they felt us: see us they could not. Then presently we were in the famous Court of the Lions, where a group of those beasts, at once archaic and puerile in conception, sustained the basin of a fountain in the midst of a graveled court arabesqued and honeycombed round with the wonted ornamentation of the Moors.
The place was disappointing to the boy in me who had once passed so much of his leisure there, and had made it all marble and gold. The floor is not only gravel, and the lions are not only more like sheep, but the environing architecture and decoration are of a faded prettiness which cannot bear comparison with the fresh rougeing, equally Moorish, of the Alcazar at Seville. Was this indeed the place where the Abencerrages were brought in from supper one by one and beheaded into the fountain at the behest of their royal host? Was it here that the haughty Don Juan de Vera, coming to demand for the Catholic kings the arrears of tribute due them from the Moor, “paused to regard its celebrated fountain” and “fell into discourse with the Moorish courtiers on certain mysteries of the Christian faith”? So Washington Irving says, and so I once believed, with glowing heart and throbbing brow as I read how “this most Christian knight and discreet ambassador restrained himself within the limits of lofty gravity, leaning on the pommel of his sword and looking down with ineffable scorn upon the weak casuists around him. The quick and subtle Arabian witlings redoubled their light attacks on the stately Spaniard, but when one of them, of the race of the Abencerrages dared to question, with a sneer, the immaculate conception of the blessed Virgin, the Catholic knight could no longer restrain his ire. Elevating his voice of a sudden, he told the infidel he lied, and raising his arm at the same time he smote him on the head with his sheathed sword. In an instant the Court of Lions glistened with the flash of arms,” insomuch that the American lady whom we saw writing a letter beside a friend sketching there must have been startled from her opening words, “I am sitting here with my portfolio on my knees in the beautiful Court of the Lions,” and if Muley Aben Hassan had not “overheard the tumult and forbade all appeal to force, pronouncing the person of the ambassador sacred,” she never could have gone on.