"Wouldn't they?" murmured the child, in dreamy sympathy with this belated peach-blow.
"Well, that's what people say. In America it would be allowed to come out any time. It's a free country."
Mrs. Bowen offered to draw Effie back to a posture of more decorum, but Colville put his arm round the little girl. "Oh, let her stay! It doesn't incommode me, and she must be getting such a novel effect of the landscape."
The mother fell back into her former attitude of jaded passivity. He wondered whether she had changed her mind about having him speak to Mr. Morton; her quiescence might well have been indifference; one could have said, knowing the whole situation, that she had made up her mind to let things take their course, and struggle with them no longer.
He could not believe that she felt content with him; she must feel far otherwise; and he took refuge, as he had the power of doing, from the discomfort of his own thoughts in jesting with the child, and mocking her with this extravagance and that; the discomfort then became merely a dull ache that insisted upon itself at intervals, like a grumbling tooth.
The prospect was full of that mingled wildness and subordination that gives its supreme charm to the Italian landscape; and without elements of great variety, it combined them in infinite picturesqueness. There were olive orchards and vineyards, and again vineyards and olive orchards. Closer to the farm-houses and cottages there were peaches and other fruit trees and kitchen-gardens; broad ribbons of grain waved between the ranks of trees; around the white villas the spires of the cypresses pierced the blue air. Now and then they came to a villa with weather-beaten statues strutting about its parterres. A mild, pleasant heat brooded upon the fields and roofs, and the city, dropping lower and lower as they mounted, softened and blended its towers and monuments in a sombre mass shot with gleams of white.
Colville spoke to Imogene, who withdrew her eyes from it with a sigh, after long brooding upon the scene. "You can do nothing with it, I see."
"With what?"
"The landscape. It's too full of every possible interest. What a history is written all over it, public and private! If you don't take it simply like any other landscape, it becomes an oppression. It's well that tourists come to Italy so ignorant, and keep so. Otherwise they couldn't live to get home again; the past would crush them."
Imogene scrutinised him as if to extract some personal meaning from his words, and then turned her head away. The clergyman addressed him with what was like a respectful toleration of the drolleries of a gifted but eccentric man, the flavour of whose talk he was beginning to taste.