"Oh, there's very little to tell," answered Colville. "They're mighty close people, and always keep themselves very much to themselves. But wouldn't you like to see a party of Etruscans of all ages, even down to little babies only eleven or twelve hundred years old, come driving into an American town? It would make a great excitement, wouldn't it?"
"It would be splendid."
"Yes; we would give them a collation in the basement of the City Hall, and drive them out to the cemetery. The Americans and Etruscans are very much alike in that—they always show you their tombs."
"Will they in Fiesole?"
"How you always like to burrow into the past!" interrupted Imogene.
"Well, it's rather difficult burrowing into the future," returned Colville defensively. Accepting the challenge, he added: "Yes, I should really like to meet a few Etruscans in Fiesole this morning. I should feel as if I'd got amongst my contemporaries at last; they would understand me."
The girl's face flushed. "Then no one else can understand you?"
"Apparently not. I am the great American incompris."
"I'm sorry for you," she returned feebly; and, in fact, sarcasm was not her strong point.
When they entered the town they found the Etruscans preoccupied with other visitors, whom at various points in the quaint little piazza they surrounded in dense groups, to their own disadvantage as guides and beggars and dealers in straw goods. One of the groups reluctantly dispersed to devote itself to the new arrivals, and these then perceived that it was a party of artists, scattered about and sketching, which had absorbed the attention of the population. Colville went to the restaurant to order lunch, leaving the ladies to the care of Mr. Morton. When he came back he found the carriage surrounded by the artists, who had turned out to be the Inglehart boys. They had walked up to Fiesole the afternoon before, and they had been sketching there all the morning. With the artist's indifference to the conventional objects of interest, they were still ignorant of what ought to be seen in Fiesole by tourists, and they accepted Colville's proposition to be of his party in going the rounds of the Cathedral, the Museum, and the view from that point of the wall called the Belvedere. They found that they had been at the Belvedere before without knowing that it merited particular recognition, and some of them had made sketches from it—of bits of architecture and landscape, and of figure amongst the women with straw fans and baskets to sell, who thronged round the whole party again, and interrupted the prospect. In the church they differed amongst themselves as to the best bits for study, and Colville listened in whimsical despair to the enthusiasm of their likings and dislikings. All that was so far from him now; but in the Museum, which had only a thin interest based upon a small collection of art and archeology, he suffered a real affliction in the presence of a young Italian couple, who were probably plighted lovers. They went before a grey-haired pair, who might have been the girl's father and mother, and they looked at none of the objects, though they regularly stopped before them and waited till their guide had said his say about them. The girl, clinging tight to the young man's arm, knew nothing but him; her mouth and eyes were set in a passionate concentration of her being upon him, and he seemed to walk in a dream of her. From time to time they peered upon each other's faces, and then they paused, rapt and indifferent to all besides.