She rose and ran down the broken seats and ruined steps so recklessly and yet so sure-footedly that it seemed more like a flight than a pace to the place where Mrs. Bowen and Mr. Morton were talking together.
Colville followed as he could, slowly and with a heavy heart. A good thing develops itself in infinite and unexpected shapes of good; a bad thing into manifold and astounding evils. This mistake was whirling away beyond his recall in hopeless mazes of error. He saw this generous young spirit betrayed by it to ignoble and unworthy excess, and he knew that he and not she was to blame.
He was helpless to approach her, to speak with her, to set her right, great as the need of that was, and he could see that she avoided him. But their relations remained outwardly undisturbed. The artists brought their sketches for inspection and comment, and, without speaking to each other, he and Imogene discussed them with the rest.
When they started homeward the painters said they were coming a little way with them for a send-off, and then going back to spend the night in Fiesole. They walked beside the carriage, talking with Mrs. Bowen and Imogene, who had taken their places, with Effie between them, on the back seat; and when they took their leave, Colville and the young clergyman, who had politely walked with them, continued on foot a little further, till they came to the place where the highway to Florence divided into the new road and the old. At this point it steeply overtops the fields on one side, which is shored up by a wall some ten or twelve feet deep; and here round a sharp turn of the hill on the other side came a peasant driving a herd of the black pigs of the country.
Mrs. Bowen's horses were, perhaps, pampered beyond the habitual resignation of Florentine horses to all manner of natural phenomena; they reared at sight of the sable crew, and backing violently uphill, set the carriage across the road, with its hind wheels a few feet from the brink of the wall. The coachman sprang from his seat, the ladies and the child remained in theirs as if paralysed.
Colville ran forward to the side of the carriage. "Jump, Mrs. Bowen! jump, Effie! Imogene—"
The mother and the little one obeyed. He caught them in his arms and set them down. The girl sat still, staring at him with reproachful, with disdainful eyes.
He leaped forward to drag her out; she shrank away, and then he flew to help the coachman, who had the maddened horses by the bit.
"Let go!" he heard the young clergyman calling to him; "she's safe!" He caught a glimpse of Imogene, whom Mr. Morton had pulled from the other side of the carriage. He struggled to free his wrist from the curb-bit chain of the horse, through which he had plunged it in his attempt to seize the bridle. The wheels of the carriage went over the wall; he felt himself whirled into the air, and then swung ruining down into the writhing and crashing heap at the bottom of the wall.