XIII.—ROMAN PEARLS.
I.
The first view of the ruins in the Forum brought a keen sense of disappointment. I knew that they could only be mere fragments and rubbish, but I was not prepared to find them so. I learned that I had all along secretly hoped for some dignity of neighborhood, some affectionate solicitude on the part of Nature to redeem these works of Art from the destruction that had befallen them. But in hollows below the level of the dirty cowfield, wandered over by evil-eyed buffaloes, and obscenely defiled by wild beasts of men, there stood here an arch, there a pillar, yonder a cluster of columns crowned by a bit of frieze; and yonder again, a fragment of temple, half-gorged by the façade of a hideous Renaissance church; then a height of vaulted brick-work, and, leading on to the Coliseum, another arch, and then incoherent columns overthrown and mixed with dilapidated walls—mere phonographic consonants, dumbly representing the past, out of which all vocal glory had departed. The Coliseum itself does not much better express a certain phase of Roman life than does the Arena at Verona; it is larger only to the foot-rule, and it seemed not grander otherwise, while it is vastly more ruinous. Even the Pantheon failed to impress me at first sight, though I found myself disposed to return to it again and again, and to be more and more affected by it.
Modern Rome appeared, first and last, hideous. It is the least interesting town in Italy, and the architecture is hopelessly ugly—especially the architecture of the churches. The Papal city contrives at the beginning to hide the Imperial city from your thought, as it hides it in such a great degree from your eye, and old Rome only occurs to you in a sort of stupid wonder over the depth at which it is buried. I confess that I was glad to get altogether away from it after a first look at the ruins in the Forum, and to take refuge in the Conservatorio delle Mendicanti, where we were charged to see the little Virginia G. The Conservatorio, though a charitable institution, is not so entirely meant for mendicants as its name would imply, but none of the many young girls there were the children of rich men. They were often enough of parentage actually hungry and ragged, but they were often also the daughters of honest poor folk, who paid a certain sum toward their maintenance and education in the Conservatorio. Such was the case with little Virginia, whose father was at Florence, doubly impeded from seeing her by the fact that he had fought against the Pope for the Republic of 1848, and by the other fact that he had since wrought the Pope a yet deadlier injury by turning Protestant.
Ringing a garrulous bell that continued to jingle some time after we were admitted, we found ourselves in a sort of reception-room, of the general quality of a cellar, and in the presence of a portress who was perceptibly preserved from mold only by the great pot of coals that stood in the centre of the place. Some young girls, rather pretty than not, attended the ancient woman, and kindly acted as the ear-trumpet through which our wishes were conveyed to her mind. The Conservatorio was not, so far, as conventual as we had imagined it; but as the gentleman of the party was strongly guarded by female friends, and asked at once to see the Superior, he concluded that there was, perhaps, something so unusually reassuring to the recluses in his appearance and manner that they had not thought it necessary to behave very rigidly. It later occurred to this gentleman that the promptness with which the pretty mendicants procured him an interview with the Superior had a flavor of self-interest in; and that he who came to the Conservatorio in the place of a father might have been for a moment ignorantly viewed as a yet dearer and tenderer possibility. From whatever danger there was in this error the Superior soon appeared to rescue him, and we were invited into a more ceremonious apartment on the first floor, and the little Virginia was sent for. The visit of the strangers caused a tumult and interest in the quiet old Conservatorio of which it is hard to conceive now, and the excitement grew tremendous when it appeared that, the signori were Americani and Protestanti. We imparted a savor of novelty and importance to Virginia herself, and when she appeared, the Superior and her assistant looked at her with no small curiosity and awe, of which the little maiden instantly became conscious, and began to take advantage. Accompanying us over the building and through the grounds, she cut her small friends wherever she met them, and was not more than respectful to the assistant.
It was from an instinct of hospitality that we were shown the Conservatorio, and instructed in regard to all its purposes. We saw the neat dormitories with their battalions of little white beds; the kitchen with its gigantic coppers for boiling broth, and the refectory with the smell of the frugal dinners of generations of mendicants in it. The assistant was very proud of the neatness of every thing, and was glad to talk of that, or, indeed, any thing else. It appeared that the girls were taught reading, writing, and plain sewing when they were young, and that the Conservatorio was chiefly sustained by pious contributions and bequests. Any lingering notion of the conventual character of the place was dispelled by the assistant's hurrying to say, "And when we can get the poor things well married, we are glad to do so."
"But how does any one ever see them?"
"Eh! well, that is easily managed. Once a month we dress the marriageable girls in their best, and take them for a walk in the street. If an honest young man falls in love with one of them going by, he comes to the Superior, and describes her as well as he can, and demands to see her. She is called, and if both are pleased, the marriage is arranged. You see it is a very simple affair."