On the earlier day which I began speaking of I found that I was insensibly attaching myself to an English-hearing party of the personally conducted, in the dearth of my own recollections of the local history, but I quickly detached myself for shame and went back and meekly hired the help of a guide who had already offered his services in English, and whom I had haughtily spurned in his own tongue. His English, though queer, was voluminous; but I am not going to drag the reader at our heels laden with lore which can be applied only on the spot or in the presence of postal-card views of the Colosseum. It is enough that before my guide released us we knew where was the box of Caesar, whom those about to die saluted, and where the box of the Vestals whose fatal thumbs gave the signal of life or death for the unsuccessful performer; where the wild beasts were kept, and where the Christians; where were the green-rooms of the gladiators, who waited chatting for their turn to go on and kill one another. One must make light of such things or sink under them; and if I am trying to be a little gay, it is for the readers' sake, whom I would not have perish of their realization. Our guide spared us nothing, such was his conscience or his science, and I wish I could remember his name, for I could commend him as most intelligent, even, when least intelligible. However, the traveller will know him by the winning smile of his rosy-faced little son, who follows him round and is doubtless bringing himself up as the guide of coming generations of tourists. There had been a full pour of forenoon sunshine on the white dust of the street before our hotel, but the cold of the early morning, though it had not been too much for the birds that sang in the garden back of us, had left a skim of ice in damp spots, and now, in the late gray of the afternoon, the ice was visible and palpable underfoot in the Colosseum, where crowds of people wandered severally or collectively about in the half-frozen mud. They were, indeed, all over the place, up and down, in every variety of costume and aspect, but none were so picturesque as a little group of monks who had climbed to a higher tier of the arches and stood looking down into the depths where we looked up at them, denned against the sky in their black robes, which opened to show their under robes of white. They were picturesque, but they were not so monumental as an old, unmistakable American in high-hat, with long, drooping side-whiskers, not above a purple suspicion of dye, who sat on a broken column and vainly endeavored to collect his family for departure. Whenever he had gathered two or three about him they strayed off as the others came up, and we left him sardonically patient of their adhesions and defections, which seemed destined to continue indefinitely, while we struggled out through the postal-card boys and mosaic-pin men to our carriage. Then we drove away through the quarter of somewhat jerry-built apartment-houses which neighbor the Colosseum, and on into the salmon sunset which, after the gray of the afternoon, we found waiting us at our hotel, with the statues on the balustrated wall of the villa garden behind it effectively posed in the tender light, together with the eidolons of those picturesque monks and that monumental American.
We could safely have stayed longer, for the evening damp no longer brings danger of Roman fever, which people used to take in the Colosseum, unless I am thinking of the signal case of Daisy Miller. She, indeed, I believe, got it there by moonlight; but now people visit the place by moonlight in safety; and there are even certain nights of the season advertised when you may see it by the varicolored lights of the fireworks set off in it. My impression of it was quite vivid enough without that, and the vision of the Colosseum remained, and still remains, the immense skeleton of the stupendous form stripped of all integumental charm and broken down half one side of its vast oval, so that wellnigh a quarter of the structural bones are gone.
With its image there persisted and persists the question constantly recurrent in the presence of all the imperial ruins, whether imperial Rome was not rather ugly than otherwise. The idea of those world-conquerors was first immensity and then beauty, as much as could survive consistently with getting immensity into a given space. The question is most of all poignant in the Forum, which I let wait a full fortnight before moving against it in the warm sun of an amiable February morning. On my first visit to Rome I could hardly wait for day to dawn after my arrival before rushing to the Cow Field, as it was then called, and seeing the wide-horned cattle chewing the cud among the broken monuments now so carefully cherished and, as it were, sedulously cultivated. It is doubtful whether all that has since been done, and which could not but have been done, by the eager science as much involuntarily as voluntarily applied to the task, has resulted in a more potent suggestion of what the Forum was in the republican or imperial day than what that simple, old, unassuming Cow Field afforded. There were then as now the beautiful arches; there were the fragments of the temple porches, with their pillars; there was the “unknown column with the buried base”; there were all the elements of emotion and meditation; and it is possible that sentiment has only been cumbered Avith the riches which archaeology has dug up for it by lowering the surface of the Cow Field fifteen or twenty feet; by scraping clean the buried pavements; by identifying the storied points; by multiplying the fragments of basal or columnar marbles and revealing the plans of temples and palaces and courts and tracing the Sacred Way on which the magnificence of the past went to dusty death. After all, the imagination is very childlike, and it prefers the elements of its pleas-ures simple and few; if the materials are very abundant or complex, it can make little out of them; they embarrass it, and it turns critical in self-defence. The grandeur that was Rome as visioned from the Cow Field becomes in the mind's eye the kaleidoscopic clutter which the resurrection of the Forum Romanum must more and more realize.
If the visitor would have some rash notion of what the ugliness of the place was like when it was in its glory, he may go look at the plastic reconstruction of it, indefinitely reduced, in the modest building across the way from the official entrance to the Forum. One cannot say but this is intensely interesting, and it affords the consolation which the humble (but not too humble) spirit may gather from witness of the past, that the fashion of this world and the pride of the eyes and all ruthless vainglory defeated themselves in ancient Rome, as they must everywhere when they can work their will. If one had thought that in magnitude and multitude some entire effect of beauty was latent, one had but to look at that huddle of warring forms, each with beauty in it, but beauty lost in the crazy agglomeration of temples and basilicas and columns and arches and statues and palaces, incredibly painted and gilded, and huddled into spaces too little for the least, and crowding severally upon one another, without relation or proportion. Their mass is supremely tasteless, almost senseless; that mob of architectural incongruities was not only without collective beauty, but it was without that far commoner and cheaper thing which we call picturesqueness. This has come to it through ruin, and we must give a new meaning to the word vandalism if we would appreciate what the barbarians did for Rome in tumbling her tawdry splendor into the heaps which are now at least paint-able. Imperial Rome as it stood was not paintable; I doubt if it would have been even photographable to anything but a picture post-card effect.
But as yet I wandered in the Forum safe from the realization of its ugliness when it was in its glory. I cannot say that even now it is picturesque, but it is paintable, and certainly it is pathetic. Stumps of columns, high and low, stand about in the places where they stood in their unbroken pride, and though it seems a hardship that they should not have been left lying in the kindly earth or on it instead of being pulled up and set on end, it must be owned that they are scarcely overworked in their present postures. More touching are those inarticulate heaps, cairns of sculptured fragments, piled here and there together and waiting the knowledge which is some time to assort them and translate them into some measure of coherent meaning. But it must always be remembered that when they were coherent they were only beautiful parts of a whole that was brutally unbeautiful. We have but to use the little common-sense which Heaven has vouchsafed some of us in order to realize that Rome, either republican or imperial, was a state for which we can have no genuine reverence, and that mostly the ruins of her past can stir in us no finer emotion than wonder. But necessarily, for the sake of knowledge, and of ascertaining just what quantity and quality of human interest the material records of Roman antiquity embody, archaeology must devote itself with all possible piety to their recovery. The removal, handful by handful, of the earth from the grave of the past which the whole Forum is, tomb upon tomb, is as dramatic a spectacle as anything one can well witness; for that soil is richer than any gold-mine in its potentiality of treasure, and it must be strictly scrutinized, almost by particles, lest some gem of art should be cast aside with the accumulated rubbish of centuries. Yet this drama, poignantly suggestive as it always must be, was the least incident of that morning in the Forum which it was my fortune to pass there with other better if not older tourists as guest of the Genius Loci. It was not quite a public event, though the Commendatore Boni is so well known to the higher journalism, and even to fiction (as the reader of Anatole France's La Pierre Blanche will not have forgotten), that nothing which he archaeologically does is without public interest, and this excursion in the domain of antiquity was expected to result in identifying the site of the Temple of Jupiter Stator. It was conjectured that the temple vowed to this specific Jupiter for his public spirit in stopping the flight of a highly demoralized Roman army would be found where we actually found it. Archaeology seems to proceed by hypothesis, like other sciences, and to enjoy a forecast of events before they are actually accomplished. I do not say that I was very vividly aware of the event in question; I could not go now and show where the temple stood, but when I read of it in a cablegram to the American newspapers I almost felt that I had dug it up with my own hands.