He rather liked these encounters, apparently, but not the beds of sharp, broken stone with which the road was repaired. It was his belief that there was not a steam-roller in all Italy, and he seemed to reserve an opinion of the government's motives in the matter with respect to motors, as if he thought them bad.
The scenery of the Campagna was not varied. Once we came to a battlemented tomb, of mighty girth and height, as perdurable in its masonry as the naked, stony hills that in the distance propped the mountains fainting along the horizon under their burden of snow. But as we drew nearer Tivoli the hills drew nearer us, and now they were no longer naked, but densely covered with the gray, interminable stretch of the olive forests. The olive is the tree which, of all others, is the friend of civilized man; it is older and kinder even than the apple, which is its next rival in beneficence; but these two kinds are so like each other, in the mass, that this boundless forest of olives around Tivoli offered an image of all the aggregated apple-orchards in the world. Where the trees came closest to the road they seemed to watch our passing, each with its trunk aslant and its branches akimbo, in a humorous make-believe of being in some joke with us, like so many gnarled and twisted apple-trees, used to children's play-fellowship. You felt a racial intimacy with the whimsical and antic shapes which your brief personal consciousness denied in vain; and you rose among the slopes around Tivoli with a sense of home-coming from the desert of the Campagna. But in the distance to which the olive forests stretched they lost this effect of tricksy familiarity. They looked like a gray sea against the horizon; more fantastically yet, they seemed a vast hoar silence, full of mystery and loneliness.
If Tivoli does not flourish so frankly on its oil as Frascati on its wine, it is perhaps because it has of late years tacitly prospered as much on the electricity which its wonderful and beautiful waterfalls enable it to furnish as abundantly to Rome as our own Niagara to Buffalo. The scrupulous Hare, whose Walks in Rome include Tivoli, does not, indeed, advise you to visit the electrical works, but he says that if you have not strength enough for all the interests and attractions of Tivoli it will be wise to give yourself entirely to the cascades and to the Villa d'Este, and this was what we instinctively did, but in the reverse order. Chance rewarded us before we left the villa with a sight of the electric plant, which just below the villa walls smokes industriously away with a round, redbrick chimney almost as lofty and as ugly as some chimney in America. On our way to and fro we necessarily passed through the town, which, with its widish but not straightish chief street, I found as clean as Rome itself, and looking, after the long tumult of its history, beginning well back in fable, as peaceable as Montclair, New Jersey. It had its charm, and, if I could have spent two weeks there instead of two hours, I might impart its effect in much more circumstance than I can now promise the reader. Most of my little time I gladly gave to the villa, which, with the manifold classic associations of the region, attracts the stranger and helps the cataracts sum up all that most people can keep of Tivoli.
The Villa d'Este is not yet a ruin, but it is ruinous enough to win the fancy without cumbering it with the mere rubbish of decay. Some neglected pleasances are so far gone that you cannot wish to live in them, but the forgottenness of the Villa d'Este hospitably allured me to instant and permanent occupation, so that when I heard it could now be bought, casino and all, for thirty thousand dollars, nothing but the want of the money kept me from making the purchase. I indeed recognized certain difficulties in living there the year round; but who lives anywhere the year round if he can help it? The casino, standing among the simpler town buildings on the plateau above the gardens, would be a little inclement, for all its frescoing and stuccoing by the sixteenth-century arts, and in its noble halls, amid the painted and modelled figures, the new American proprietor would shiver with the former host and guests after the first autumn chill began; but while it was yet summer it Avould be as delicious there as in the aisles and avenues of the garden which its balustrated terrace looked into. From that level you descend by marble steps which must have some trouble in knowing themselves from the cascades pouring down the broken steeps beside them, and companionably sharing their seclusion among the cypresses and ilexes. You are never out of the sight and sound of the plunging water, which is still trained in falls and fountains, or left to a pathetic dribble through the tattered stucco of the neglected grots. It is now a good three centuries and a half since the Cardinal Ippolito d'.Este had these gardens laid out and his pleasure-house built overlooking them; and his gardener did not plan so substantially as his architect. In fact, you might suppose that the landscapist wrought with an eye to the loveliness of the ruin it all would soon fall into, and, where he used stone, used it fragilely, so that it would ultimately suggest old frayed and broken lace. Clearly he meant some of the cataracts to face one another, and to have a centre from which they could all be seen—say the still, dull-green basin which occupies a large space in the grounds between them. But he must have meant this for a surprise to the spectator, who easily misses it under the trees overleaning the moss-grown walks which hardly kept themselves from running wild. There is a sense of crumbling decorations of statues, broken in their rococo caverns; of cypresses carelessly grouped and fallen out of their proper straightness and slimness; of unkempt bushes crowding the space beneath; of fragmentary gods or giants half hid in the tangling grasses. It all has the air of something impatiently done for eager luxury, and its greatest charm is such as might have been expected to be won from eventual waste and wreck. If there was design in the treatment of the propitious ground, self-shaped to an irregular amphitheatre, it is now obscured, and the cultiavted tourist of our day may reasonably please himself with the belief that he is having a better time there than the academic Roman of the sixteenth century.
Academic it all is, however hastily and nonchalantly, and I feel that I have so signally failed to make the charm of the villa felt that I am going to let a far politer observer celebrate the beauties of the other supreme interest of Tivoli. When Mr. Gray (as the poet loved to be called in print) visited the town with Mr. Walpole in May, 1740, the Villa d'Este by no means shared the honors of the cataracts, and Mr. Gray seems not to have thought it worth seriously describing in his letter to Mr. West, but mocks the casino with a playful mention before proceeding to speak fully, if still playfully, of the great attraction of Tivoli: “Dame Nature... has built here three or four little mountains and laid them out in an irregular semicircle; from certain others behind, at a greater distance, she has drawn a canal into which she has put a little river of hers called the Anio,... which she has no sooner done, but, like a heedless chit, it tumbles down a declivity fifty feet perpendicular, breaks itself all to shatters, and is converted into a shower of rain, where the sun forms many a bow—red, green, blue, and yellow.... By this time it has divided itself, being crossed and opposed by the rocks, into four several streams, each of which, in emulation of the greater one, will tumble down, too: and it does tumble down, but not from an equally elevated place; so that you have at one view all these cascades intermixed with groves of olive and little woods, the mountains rising behind them, and on the top of one (that which forms the extremity of the half-circle's horns) is seated the town itself. At the very extremity of that extremity, on the brink of the precipice, stands the Sibyls' Temple, the remains of a little rotunda, surrounded with its portico, above half of whose beautiful Corinthian pillars are still standing and entire.”
For the reader who has been on the spot the poet's words will paint a vivid picture of the scene; for the reader who has not been there, so much the worse; he should lose no time in going, and drinking a cup of the local wine at a table of the restaurant now in possession of Mr. Gray's point of view. I do not know a more filling moment, exclusive of the wine, than he can enjoy there, with those cascades before him and those temples beside him; for Mr. Gray has mentioned only one of the two, I do not know why, that exist on this enchanted spot, and that define their sharp, black shadows as with an inky line just beyond the restaurant tables. One is round and the other oblong, and the round one has been called the Sibyls', though now it is getting itself called Vesta's—the goddess who long unrightfully claimed the temple of Mater Matuta in the Forum Boarium at Rome. As Vesta has lately been dispossessed there by archaeology (which seems in Rome to enjoy the plenary powers of our Boards of Health), she may have been given the Sibyls' Temple at Tivoli in compensation; but all this does not really matter. What really matters is the mighty chasm which yawns away almost from your feet, where you sit, and the cataracts, from their brinks, high or low, plunging into it, and the wavering columns of mist weakly striving upward out of it: the whole hacked by those mountains Mr. Gray mentions, with belts of olive orchard on their flanks, and wild paths furrowing and wrinkling their stern faces. To your right there is a sheeted cataract falling from the basins of the town laundry, where the toil of the washers melts into music, and their chatter, like that of birds, drifts brokenly across the abyss to you. While you sit musing or murmuring in your rapture, two mandolins and a guitar smilingly intrude, and after a prelude of Italian airs swing into strains which presently, through your revery, you recognize as “In the Bowery” and “Just One Girl,” and the smile of the two mandolins and the guitar spreads to a grin of sympathy, and you are no longer at the Cafe Sibylla in Tivoli, but in your own Manhattan on some fairy roof-garden, or at some sixty-cent table d'hote, with wine and music included.
It was a fortnight later that we paid our visit to Frascati, not proudly motoring now, but traversing the Campagna on the roof of a populous tram-car, which in its lofty narrowness was of the likeness of an old-fashionable lake propeller. The morning was, like most other mornings in Rome, of an amiability which the afternoons often failed of; but none of us passengers for Frascati doubted its promise as we gathered at the tram-station and tried for tickets at the little booth in a wall sparely containing the official who bade us get them in the car. We all did this, whatever our nation—American, English, German, or Italian—and then we mounted to the hurricane-deck of our propeller and entered into a generous rivalry for the best seats. We had a roof over our heads, and there were curtains which we might have drawn if we could have borne to lose a single glimpse of the landscape, or if we would not rather have suffered the chill which our swift progress evoked from the morning's warmth after we left the shelter of the city streets. We passed through stretches of the ancient aqueducts consorting on familiar terms with rows of shabby tenement-houses, and whisked by the ends of wide, dusty avenues of yet incomplete structure, and by beds of market-gardens, and by simple feeding-places for man and beast, with the tables set close in front of the stalls. An ambitiously frescoed casino had a gigantic peacock painted over a whole story, and the peach-trees were in bloom in the villa spaces. When we struck into the Campagna we found it of like physiognomy with the Campagna toward Tivoli.
There was very little tillage, but wide stretches of grazing-land, with those lumps of turfed or naked antiquity starting out of them, and cattle, sheep, and horses feeding over them, the colts' tails blowing picturesquely in the wind that seemed more and more opposed to our advance. It dropped, at times, where we paused to leave a passenger near one of those suburbs which the tram-lines are building up round Rome, but on our course building so slowly that our passengers had to walk rather far from the stations before they reached home. There were other pedestrians who looked rather English, especially some ladies making for the gate of a kind, sunny walled old villa, where there was a girl singing and a gardener coming slowly down to let them in. Nearer Frascati were many neat, new stone houses, where Eoman families come out to stay the spring and fall seasons, and even the summer. But these looked too freshly like the suburban cottages on a Boston trolley-line; and we perversely found our delight in a fine breadth of brown woods for the very reason of that homelikeness which gave us pause in the houses. The trees looked American; there were American wood-roads penetrating the forest's broken and irregular extent; there was one steep-sided ravine worth any man's American money; and the dead leaves littered the sylvan paths with an allure to the foot which it was hard for the head to resist.