We were of one mind about driving without delay to the famous group which is without rival on the earth, though there may be associated edifices in the red planet Mars that surpass the Cathedral, the Leaning Tower, the Baptistery, and the Campo Santo at Pisa. What genius it was imagined placing them in the pleasant meadow where they sit, just beyond the city streets, I do not know, but it was inspiration beyond any effect of mere taste, and it commanded my worship as much the last as the first time. The meadow still swims round them and breaks in a foam of daisies at their feet; for I take it that it is always mid-April there, and that the grass is as green and the sun as yellow on it as the afternoon we saw it. The sacred edifices are as golden as the light on them, and there is such a joyous lift in the air that it is a wonder they do not swing loose from their foundations and soar away into the celestial blue. For travellers in our willing mood there was, of course, the predestined cicerone waiting for us at the door of the cathedral, who would fix no price for the pleasure he was born to do us, yet still consented to take more than twice that he ought to have had at parting. But he was worth the money; he was worth quite two francs, and, though he was not without the fault of his calling and would have cumbered us with instruction, I will not blame him, for after a moment I perceived that his intelligence was such that I might safely put my hands in my pocket on my shut guide-book and follow him from point to point without fear of missing anything worth noting. Among the things worthiest noting, I saw, as if I had never seen them before, the unforgettable, forgotten Andrea del Sartos, especially the St. Agnes, in whose face you recognize the well-known features of the painter's wife, but with a gentler look than they usually wore in his Madonnas, perhaps because he happened to study these from that difficult lady when she was in her least celestial moods. Besides the masterpieces of other masters, there is a most noble Sodoma, which the great Napoleon carried away to Paris and which the greater French people afterward restored. At every step in the beautiful temple you may well pause, for it abounds in pictures and sculptures, the least of which would enrich St. Peter's at Rome beyond the proudest effect of its poverty-stricken grandeur. Ghirlandajo, Michelangelo, Gaddo Gaddi, John of Bologna—the names came back to me out of a past of my own almost as remote as theirs, while our guide repeated them, in their relation to the sculptures or pictures or architecture, with those of lesser lights of art, and that school of Giotto, of all whose frescos once covering its walls the fire of three hundred years ago has left a few figures clinging to one of the pillars, faint and uncertain as the memories of my own former visits to the church. I did, indeed, remember me of an old bronze lamp, by Vincenzo Possenti, hanging from the roof, which I now revered the third time, at intervals of twenty years; from its oscillation Galileo is said to have got the notion of the pendulum; but it is now tied back with a wire, being no longer needed for such an inspiration. Mostly in this last visit I took Pisa as lightly as at the first, when, as I have noted from the printed witness, I was gayly indifferent to the claims of her objects of interest. If they came in my way, I looked at them, but I did not put myself much about for them. I rested mostly in the twilight of old associations, trusting to the guidance of our cicerone, whom, in some form or under some name, the reader will find waiting for him at the cathedral door as we did. But I have since recurred to the record of my second visit in 1883, with amazement at the exact knowledge of events shown there, which became, in 1908, all a blur of dim conjecture. It appears that I was then acquainted with much more Pisan history than any other author I have found own to. I had also surprising adventures of different kinds, such as my poorer experience of the present cannot parallel. I find, for instance, that in 1883 I gave a needy crone in the cathedral a franc instead of the piece of five centimes which I meant for her, and that the lamp of Galileo did nothing to light the gloom into which this error plunged my spirit.
It appears to have jaundiced my view of the whole cathedral, which I did not find at all comparable to that of Siena, whereas in 1908 I thought it all beautiful. This may have been because I was so newly from the ugliness of the Eoman churches; though I felt, as I had felt before, that the whole group of sacred edifices at Pisa was too suggestive of decorative pastry and confectionery. No more than at the second view of it did I now attempt the ascent of the Leaning Tower; I had discharged this duty for life when I first saw it; with my seventy-one years upon me, I was not willing to climb its winding stairs, and I doubted if I could keep it from falling, as I then did, by inclining myself the other way. I resolved that I would leave this to the new-comer; but I gladly followed our cicerone across the daisied green from the cathedral to the baptistery, where I found the famous echo waiting to welcome me back, and greet me with its angelic sweetness, when the custodian who has it in charge appealed to it; though its voice seemed to have been weakened and coarsened in its forced replies to some rude Americans there, who shouted out to it and mocked at it. One wished to ask them if they did not know that this echo was sacred, and that their challenges of it were a species of sacrilege. But doubtless that would not have availed to silence them. By-and-by they went away, and then we were aware of an interesting group of people by the font near the lovely Lombardic pulpit of Nicola Pisano. They were peasants, by their dress—a young father and mother and a little girl or two, and then a gentle, elderly woman, with a baby in her arms, at which she looked proudly down. They were in their simple best, and they had good Tuscan faces, full of kindness. I ventured some propitiatory coppers with the children, and, when the old woman made them thank me, I thought I could not be mistaken and I ventured further: “You are the grandmother?”
“Yes, signer,” she answered; and then we had some talk about the age and the beauty of the baby, which I declared wonderful for both, in praises loud enough for the father and mother to hear. After that they seemed to hold a family council, from which I thought it respectful to stand apart until the grandmother spoke to me again.
I did not understand, and I appealed to our guide for help.
“She wishes you to be godfather to the child.”
I had never yet been a godfather, but I had the belief that it brought grave responsibilities, which in the very casual and impermanent circumstances I did not see how I was to meet. Yet how to refuse without wounding these kind people who had so honored me I did not know until a sudden inspiration came to my rescue.
“Tell them,” I said, “and be careful to make them understand, that I am very grateful and very sorry, but that I am a Protestant, and that I suppose I cannot, for that reason, be godfather to their child.”
He explained, and they received my thanks and regrets with smiling acquiescence; and just then a very stout little old priest (who has baptized nearly all the babies in Pisa for fifty years) came in, and the baptism proceeded without my intervention. But I remained, somehow, disappointed; it would have been pleasant to leave a godchild behind me there in the neighborhood of Pisa; to have sent him from time to time some little remembrance of this remote America, and, perhaps, when he grew up and came to Pisa, and learned the art of the statuary, to have had from him a Leaning Tower which he had cut in alabaster for me. I was taking it for granted he was a boy, but he may not have been; there is always that chance.