“But this brought you money?”
“It brought my master money, but me aches and pains as many as you will, and at last the fever. When that was burnt out, I made up my mind to ask for more pay, and, not getting it, to quit that service. I think the signor would have given it,—but the signora! So I left, empty as I came, and was cook on a vessel to New York.”
This was the black and white of the man's story. I lose the color and atmosphere which his manner as well as his words bestowed upon it. He told it in a cheerful, impersonal kind of way as the romance of a poor devil which had interested him, and might possibly amuse me, leaving out no touch of character in his portrait of the fat, selfish master,—yielding enough, however, but for his grasping wife, who, with all her avarice and greed, he yet confessed to be very handsome. By the wave of a hand he housed them in a tropic residence, dim, cool, close shut, kept by servants in white linen moving with mute slippered feet over stone floors; and by another gesture he indicated the fierce thorny growths of the forest in which he hunted those vivid insects,—the luxuriant savannas, the gigantic ferns and palms, the hush and shining desolation, the presence of the invisible fever and death. There was a touch, too, of inexpressible sadness in his half-ignorant mention of the exiles at Cayenne, who were forbidden the wide ocean of escape about them by those swift gunboats keeping their coasts and swooping down upon every craft that left the shore. He himself had seen one such capture, and he made me see it, and the mortal despair of the fugitives, standing upright in their boat with the idle oars in their unconscious hands, while the corvette swept toward them.
For all his misfortunes, he was not cast down. He had that lightness of temper which seems proper to most northern Italians, whereas those from the south are usually dark-mooded, sad-faced men. Nothing surpasses for unstudied misanthropy of expression the visages of different Neapolitan harpers who have visited us; but they have some right to their dejected countenances as being of a yet half-civilized stock, and as real artists and men of genius. Nearly all wandering violinists, as well as harpers, are of their race, and they are of every age, from that of mere children to men in their prime. They are very rarely old, as many of the organ-grinders are; they are not so handsome as the Italians of the north, though they have invariably fine eyes. They arrive in twos and threes; the violinist briefly tunes his fiddle, and the harper unslings his instrument, and, with faces of profound gloom, they go through their repertory,—pieces from the great composers, airs from the opera, not unmingled with such efforts of Anglo-Saxon genius as Champagne Charley and Captain Jenks of the Horse Marines, which, like the language of Shakespeare and Milton, hold us and our English cousins in tender bonds of mutual affection. Beyond the fact that they come “dal Basilicat',” or “dal Principat',” one gets very little out of these Neapolitans, though I dare say they are not so surly at heart as they look. Money does not brighten them to the eye, but yet it touches them, and they are good in playing or leaving off to him that pays. Long time two of them stood between the gateway firs on a pleasant summer's afternoon and twanged and scraped their harmonious strings, till all the idle boys of the neighborhood gathered about them, listening with a grave and still delight. It was a most serious company: the Neapolitans, with their cloudy brows, rapt in their music; and the Yankee children, with their impassive faces, warily guarding against the faintest expression of enjoyment; and when at last the minstrels played a brisk measure, and the music began to work in the blood of the boys, and one of them shuffling his reluctant feet upon the gravel, broke into a sudden and resistless dance, the spectacle became too sad for contemplation. The boy danced only from the hips down; no expression of his face gave the levity sanction, nor did any of his comrades: they beheld him with a silent fascination, but none was infected by the solemn indecorum; and when the legs and music ceased their play together, no comment was made, and the dancer turned unheated away. A chance passer asked for what he called the Gearybaldeye Hymn, but the Neapolitans apparently did not know what this was.
My doorstep acquaintance were not all of one race; now and then an alien to the common Italian tribe appeared,—an Irish soldier, on his way to Salem, and willing to show me more of his mutilation than I cared to buy the sight of for twenty-five cents; and more rarely yet an American, also formerly of the army, but with something besides his wretchedness to sell. On the hottest day of last summer such a one rang the bell, and was discovered on the threshold wiping with his poor sole hand the sweat that stood upon his forehead. There was still enough of the independent citizen in his maimed and emaciated person to inspire him with deliberation and a show of that indifference with which we Americans like to encounter each other; but his voice was rather faint when he asked if I supposed we wanted any starch to-day.
“Yes, certainly,” answered what heart there was within, taking note willfully, but I hope not wantonly, what an absurdly limp figure he was for a peddler of starch,—“certainly from you, brave fellow;” and the package being taken from his basket, the man turned to go away, so very wearily, that a cheap philanthropy protested: “For shame! ask him to sit down in-doors and drink a glass of water.”
“No,” answered the poor fellow, when this indignant voice had been obeyed, and he had been taken at a disadvantage, and as it were surprised into the confession, “my family hadn't any breakfast this morning, and I've got to hurry back to them.”
“Haven't you had any breakfast?”
“Well, I wa'n't rightly hungry when I left the house.”
“Here, now,” popped in the virtue before named, “is an opportunity to discharge the debt we all owe to the brave fellows who gave us back our country. Make it beer.”