Why will the young man with long hair force himself at this point into a history, which is striving to devote itself to graver interests? There he stood with the other people, gazing up at the gay line of streamers on the summit of the Coliseum, and taking in the Anvil Chorus with the rest,—a young man well-enough dressed, and of a pretty sensible face, with his long black locks falling from under his cylinder hat, and covering his shoulders. What awful spell was on him, obliging him to make that figure before his fellow-creatures? He had nothing to sell; he was not, apparently, an advertisement of any kind. Was he in the performance of a vow? Was he in his right mind? For shame! a person may wear his hair long if he will. But why not, then, in a top-knot? This young man's long hair was not in keeping with his frock-coat and his cylinder hat, and he had not at all the excuse of the old gentleman who sold salve in the costume of Washington's time; one could not take pleasure in him as in the negro advertiser, who paraded the grounds in a costume compounded of a consular chapeau bras and a fox-hunter's top-boots—the American diplomatic uniform of the future—and offered every one a printed billet; he had not even the attraction of the cabalistic herald of Hunkidori. Who was he? what was he? why was he? The mind played forever around these questions in a maze of hopeless conjecture.
Had all those quacks and peddlers been bawling ever since Tuesday to the same listeners? Had all those swings and whirligigs incessantly performed their rounds? The cow that gave milk from the top of her back, had she never changed her small circle of admirers, or ceased her flow? And the gentleman who sat in the chair of his own balance, how much did he weigh by this time? One could scarcely rid one's self of the illusion of perpetuity concerning these things, and I could not believe that, if I went back to the Coliseum grounds at any future time, I should not behold all that vast machinery in motion.
It was curious to see, amid this holiday turmoil men pursuing the ordinary business of their lives, and one was strangely rescued and consoled by the spectacle of the Irish hod-carriers, and the bricklayers at work on a first-class swell-front residence in the very heart of the city of tents and booths. Even the locomotive, being associated with quieter days and scenes, appealed, as it whistled to and fro upon the Providence Railroad, to some soft bucolic sentiment in the listener, and sending its note, ordinarily so discordant, across that human uproar, seemed to “babble of green fields.” And at last it wooed us away, and the Jubilee was again swallowed up by night.
There was yet another Jubilee Day, on the morning of which the thousands of public-school children clustered in gauzy pink and white in the place of the mighty chorus, while the Coliseum swarmed once more with people who listened to those shrill, sweet pipes blending in unison; but I leave the reader to imagine what he will about it. A week later, after all was over, I was minded to walk down towards the Coliseum, and behold it in its desertion. The city streets were restored to their wonted summer-afternoon tranquillity; the Public Garden presented its customary phases of two people sitting under a tree and talking intimately together on some theme of common interest,—“Bees, bees, was it your hydromel?”—of the swans sailing in full view upon the little lake of half a dozen idlers hanging upon the bridge to look at them; of children gayly dotting the paths here and there; and, to heighten the peacefulness of the effect, a pretty, pale invalid lady sat, half in shade and half in sun, reading in an easy-chair. Far down the broad avenue a single horse-car tinkled slowly; on the steps of one of the mansions charming little girls stood in a picturesque group full of the bright color which abounds in the lovely dresses of this time. As I drew near the Coliseum, I could perceive the desolation which had fallen upon the festival scene; the white tents were gone; the place where the world-renowned cloggist gave her serio-comic dances was as lonely and silent as the site of Carthage; in the middle distance two men were dismantling a motionless whirligig; the hut for the sale of French soups was closed; farther away, a solitary policeman moved gloomily across the deserted spaces, showing his dark-blue figure against the sky. The vast fabric of the Coliseum reared itself, hushed and deserted within and without; and a boy in his shirt-sleeves pressed his nose against one of the painted window-panes in the vain effort to behold the nothing inside. But sadder than this loneliness surrounding the Coliseum, sadder than the festooned and knotted banners that drooped funereally upon its facade, was the fact that some of those luckless refreshment-saloons were still open, displaying viands as little edible now as carnival confetti. It was as if the proprietors, in an unavailing remorse, had condemned themselves to spend the rest of their days there, and, slowly consuming their own cake and pop-corn, washed down with their own soda-water and lemonade, to perish of dyspepsia and despair.
SOME LESSONS FROM THE SCHOOL OF MORALS.
Any study of suburban life would be very imperfect without some glance at that larger part of it which is spent in the painful pursuit of pleasures such as are offered at the ordinary places of public amusement; and for this reason I excuse myself for rehearsing certain impressions here which are not more directly suburban, to say the least, than those recounted in the foregoing chapter.
It became, shortly after life in Charlesbridge began, a question whether any entertainment that Boston could offer were worth the trouble of going to it, or, still worse, coming from it; for if it was misery to hurry from tea to catch the inward horse-car at the head of the street, what sullen lexicon will afford a name for the experience of getting home again by the last car out from the city? You have watched the clock much more closely than the stage during the last act, and have left your play incomplete by its final marriage or death, and have rushed up to Bowdoin Square, where you achieve a standing place in the car, and, utterly spent as you are with the enjoyment of the evening, you endure for the next hour all that is horrible in riding or walking. At the end of this time you declare that you will never go to the theatre again; and after years of suffering you come at last to keep your word.
While yet, however, in the state of formation as regards this resolution, I went frequently to the theatre—or school of morals, as its friends have humorously called it. I will not say whether any desired amelioration took place or not in my own morals through the agency of the stage; but if not enlightened and refined by everything I saw there, I sometimes was certainly very much surprised. Now that I go no more, or very, very rarely, I avail myself of the resulting leisure to set down, for the instruction of posterity, some account of performances I witnessed in the years 1868-69, which I am persuaded will grow all the more curious, if not incredible, with the lapse of time.
There is this satisfaction in living, namely, that whatever we do will one day wear an air of picturesqueness and romance, and will win the fancy of people coming after us. This stupid and commonplace present shall yet appear the fascinating past; and is it not a pleasure to think how our rogues of descendants—who are to enjoy us aesthetically—will be taken in with us, when they read, in the files of old newspapers, of the quantity of entertainment offered us at the theatres during the years mentioned, and judge us by it? I imagine them two hundred years hence looking back at us, and sighing, “Ah! there was a touch of the old Greek life in those Athenians! How they loved the drama in the jolly Boston of that day! That was the golden age of the theatre: in the winter of 1868-69, they had dramatic performances in seven places, of every degree of excellence, and the managers coined money.” As we always figure our ancestors going to and from church, they will probably figure us thronging the doors of theatres, and no doubt there will be some historical gossiper among them to sketch a Boston audience in 1869, with all our famous poets and politicians grouped together in the orchestra seats, and several now dead introduced with the pleasant inaccuracy and uncertainty of historical gossipers. “On this night, when the beautiful Tostée reappeared, the whole house rose to greet her. If Mr. Alcott was on one of his winter visits to Boston, no doubt he stepped in from the Marlborough House,—it was a famous temperance hotel, then in the height of its repute,—not only to welcome back the great actress, but to enjoy a chat between the acts with his many friends. Here, doubtless, was seen the broad forehead of Webster; there the courtly Everett, conversing in studied tones with the gifted So-and-so. Did not the lovely Such-a-one grace the evening with her presence? The brilliant and versatile Edmund Kirke was dead; but the humorous Artemas Ward and his friend Nasby may have attracted many eyes, having come hither at the close of their lectures, to testify their love of the beautiful in nature and art; while, perhaps, Mr. Sumner, in the intervals of state cares, relaxed into the enjoyment,” etc. “Vous voyez bien le tableau!”