"Naturally," Minver said. "And the decay of the presentiment must have been hastened by the failure of so many presentiments to make good."
"The great majority of them have failed to make good, from the beginning of time," Wanhope replied.
"There are two kinds of presentiments," Rulledge suggested, with a philosophic air. "The true and the untrue."
"Like mushrooms," Minver said. "Only, the true presentiment kills, and the true mushroom nourishes. Talking of mushrooms, they have a way in Switzerland of preserving them in walnut oil, and they fill you with the darkest forebodings, after you've filled yourself with the mushrooms. There's some occult relation between the two. Think it out, Rulledge!"
Rulledge ignored him in turning to Wanhope. "The trouble is how to distinguish the true from the untrue presentiment."
"It would be interesting," Wanhope began, but Minver broke in upon him maliciously.
"To know how much the dyspepsia of our predecessors had to with the prevalence of presentimentalism? I agree with you, that a better diet has a good deal to do with the decline of the dark foreboding among us. What I can't understand is, how a gross and reckless feeder, like Rulledge here, doesn't go about like ancestral voices prophesying all sorts of dreadful things."
"That's rather cheap talk, even for you, Minver," Rulledge said. "Why did you think presentiments ran in your family?"
"Well, there you have me, Rulledge. That's where my theory fails. I can remember," Minver continued soberly, "the talk there used to be about them among my people. They were serious people in an unreligious way, or rather an unecclesiastical way. They were never spiritualists, but I don't think there was one of them who doubted that he should live hereafter; he might doubt that he was living here, but there was no question of the other thing. I must say it gave a dignity to their conversation which, when they met, as they were apt to do at one another's houses on Sunday nights, was not of common things. One of my uncles was a merchant, another a doctor; my father was a portrait-painter by profession, and a sign-painter by practice. I suppose that's where I got my knack, such as it is. The merchant was an invalid, rather, though he kept about his business, and our people merely recognized him as being out of health. He was what we could call, for that day and region—the Middle West of the early fifties—a man of unusual refinement. I suppose this was temperamental with him largely; but he had cultivated tastes, too. I remember him as a peculiarly gentle person, with a pensive cast of face, and the melancholy accomplishment of playing the flute."
"I wonder why nobody plays the flute nowadays," I mused aloud.