Edinburgh: Printed by T. and A. Constable for
David Douglas
London: Simpkin, Marshall and Co.
PART FIRST
I
MRS. ROBERTS; THEN MR. ROBERTS
At the window of her apartment in Hotel Bellingham, Mrs. Roberts stands looking out into the early nightfall. A heavy snow is driving without, and from time to time the rush of the wind and the sweep of the flakes against the panes are heard. At the sound of hurried steps in the anteroom, Mrs. Roberts turns from the window, and runs to the portière, through which she puts her head.
Mrs. Roberts: ‘Is that you, Edward? So dark here! We ought really to keep the gas turned up all the time.’
Mr. Roberts, in a muffled voice, from without: ‘Yes, it’s I.’
Mrs. Roberts: ‘Well, hurry in to the fire, do! Ugh, what a storm! Do you suppose anybody will come? You must be half frozen, you poor thing! Come quick, or you’ll certainly perish!’ She flies from the portière to the fire burning on the hearth, pokes it, flings on a log, jumps back, brushes from her dress with a light shriek the sparks driven out upon it, and continues talking incessantly in a voice lifted for her husband to hear in the anteroom. ‘If I’d dreamed it was any such storm as this, I should never have let you go out in it in the world. It wasn’t at all necessary to have the flowers. I could have got on perfectly well, and I believe now the table would look better without them. The chrysanthemums would have been quite enough; and I know you’ve taken more cold. I could tell it by your voice as soon as you spoke; and just as quick as they’re gone to-night I’m going to have you bathe your feet in mustard and hot water, and take eight of aconite, and go straight to bed. And I don’t want you to eat very much at dinner, dear, and you must be sure not to drink any coffee, or the aconite won’t be of the least use.’ She turns and encounters her husband, who enters through the portière, his face pale, his eyes wild, his white necktie pulled out of knot, and his shirt front rumpled. ‘Why, Edward, what in the world is the matter? What has happened?’
Roberts, sinking into a chair: ‘Get me a glass of water, Agnes—wine—whisky—brandy—’
Mrs. Roberts, bustling wildly about: ‘Yes, yes. But what—Bella! Bridget! Maggy!—Oh, I’ll go for it myself, and I won’t stop to listen! Only—only don’t die!’ While Roberts remains with his eyes shut, and his head sunk on his breast in token of extreme exhaustion, she disappears and reappears through the door leading to her chamber, and then through the portière cutting off the dining-room. She finally descends upon her husband with a flagon of cologne in one hand, a small decanter of brandy in the other, and a wineglass held in the hollow of her arm against her breast. She contrives to set the glass down on the mantel and fill it from the flagon, then she turns with the decanter in her hand, and while she presses the glass to her husband’s lips, begins to pour the brandy on his head. ‘Here! this will revive you, and it’ll refresh you to have this cologne on your head.’