“You criticise.”
“No.”
“So glad,” said Staniford. He began to like this. A young man must find pleasure in sitting alone near a pretty young girl, and talking with her about herself and himself, no matter how plain and dull her speech is; and Staniford, though he found Lydia as blankly unresponsive as might be to the flattering irony of his habit, amused himself in realizing that here suddenly he was almost upon the terms of window-seat flirtation with a girl whom lately he had treated with perfect indifference, and just now with fatherly patronage. The situation had something more even than the usual window-seat advantages; it had qualities as of a common shipwreck, of their being cast away on a desolate island together. He felt more than ever that he must protect this helpless loveliness, since it had begun to please his imagination. “You don't criticise,” he said. “Is that because you are so amiable? I'm sure you could, if you would.”
“No,” returned Lydia; “I don't really know. But I've often wished I did know.”
“Then you didn't teach drawing, in your school?”
“How did you know I had a school?” asked Lydia quickly.
He disliked to confess his authority, because he disliked the authority, but he said, “Mr. Hicks told us.”
“Mr. Hicks!” Lydia gave a little frown as of instinctive displeasure, which gratified Staniford.
“Yes; the cabin-boy told him. You see, we are dreadful gossips on the Aroostook,—though there are so few ladies—” It had slipped from him, but it seemed to have no personal slant for Lydia.
“Oh, yes; I told Thomas,” she said. “No; it's only a country school. Once I thought I should go down to the State Normal School, and study drawing there; but I never did. Are you—are you a painter, Mr. Staniford?”