“Why, I'm used to making my own coffee; I lived so long in a country where it's nearly the whole of breakfast that I got into the habit of it, and I always carry my little machine with me; but I don't like to bring it out, unless—”
“Unless you can't stand the other folks's,” said the woman, with a humorous gleam. “Well, you needn't mind me. I want you should have good coffee, and I guess I a'n't too old to learn, if you want to show me. Our folks don't care for it much; they like tea; and I kind of got out of the way of it. But at home we had to have it.” She explained, to his inquiring glance.
“My father kept the tavern on the old road to St. Albans, on the other side of Lion's Head. That's where I always lived till I married here.”
“Oh,” said Westover, and he felt that she had proudly wished to account for a quality which she hoped he had noticed in her cooking. He thought she might be going to tell him something more of herself, but she only said, “Well, any time you want to show me your way of makin' coffee,” and went out of the room.
That evening, which was the close of another flawless day, he sat again watching the light outside, when he saw her come into the hallway with a large shade-lamp in her hand. She stopped at the door of a room he had not seen yet, and looked out at him to ask:
“Won't you come in and set in the parlor if you want to?”
He found her there when he came in, and her two sons with her; the younger was sleepily putting away some school-books, and the elder seemed to have been helping him with his lessons.
“He's got to begin school next week,” she said to Westover; and at the preparations the other now began to make with a piece of paper and a planchette which he had on the table before him, she asked, in the half-mocking, half-deprecating way which seemed characteristic of her: “You believe any in that?”
“I don't know that I've ever seen it work,” said the painter.
“Well, sometimes it won't work,” she returned, altogether mockingly now, and sat holding her shapely hands, which were neither so large nor so rough as they might have been, across her middle and watching her son while the machine pushed about under his palm, and he bent his wan eyes upon one of the oval-framed photographs on the wall, as if rapt in a supernal vision. The boy stared drowsily at the planchette, jerking this way and that, and making abrupt starts and stops. At last the young man lifted his palm from it, and put it aside to study the hieroglyphics it had left on the paper.