The painter found himself the centre of an agreeable excitement with all the ladies in the house. For this it was perhaps sufficient to be a man. To be reasonably young and decently good-looking, to be an artist, and an artist not unknown, were advantages which had the splendor of superfluity.
He liked finding himself in the simple and innocent American circumstance again, and he was not sorry to be confronted at once with one of the most characteristic aspects of our summer. He could read in the present development of Lion's Head House all the history of its evolution from the first conception of farm-board, which sufficed the earliest comers, to its growth in the comforts and conveniences which more fastidious tastes and larger purses demanded. Before this point was reached, the boarders would be of a good and wholesome sort, but they would be people of no social advantages, and not of much cultivation, though they might be intelligent; they would certainly not be fashionable; five dollars a week implied all that, except in the case of some wandering artist or the family of some poor young professor. But when the farm became a boarding-house and called itself a hotel, as at present with Lion's Head House, and people paid ten dollars a week, or twelve for transients, a moment of its character was reached which could not be surpassed when its prosperity became greater and its inmates more pretentious. In fact, the people who can afford to pay ten dollars a week for summer board, and not much more, are often the best of the American people, or, at least, of the New England people. They may not know it, and those who are richer may not imagine it. They are apt to be middle-aged maiden ladies from university towns, living upon carefully guarded investments; young married ladies with a scant child or two, and needing rest and change of air; college professors with nothing but their modest salaries; literary men or women in the beginning of their tempered success; clergymen and their wives away from their churches in the larger country towns or the smaller suburbs of the cities; here and there an agreeable bachelor in middle life, fond of literature and nature; hosts of young and pretty girls with distinct tastes in art, and devoted to the clever young painter who leads them to the sources of inspiration in the fields and woods. Such people are refined, humane, appreciative, sympathetic; and Westover, fresh from the life abroad where life is seldom so free as ours without some stain, was glad to find himself in the midst of this unrestraint, which was so sweet and pure. He had seen enough of rich people to know that riches seldom bought the highest qualities, even among his fellow-countrymen who suppose that riches can do everything, and the first aspects of society at Lion's Head seemed to him Arcadian. There really proved to be a shepherd or two among all that troop of shepherdesses, old and young; though it was in the middle of the week, remote alike from the Saturday of arrivals and the Monday of departures. To be sure, there was none quite so young as himself, except Jeff Durgin, who was officially exterior to the social life.
The painter who gave lessons to the ladies was already a man of forty, and he was strongly dragoned round by a wife almost as old, who had taken great pains to secure him for herself, and who worked him to far greater advantage in his profession than he could possibly have worked himself: she got him orders; sold his pictures, even in Boston, where they never buy American pictures; found him pupils, and kept the boldest of these from flirting with him. Westover, who was so newly from Paris, was able to console him with talk of the salons and ateliers, which he had not heard from so directly in ten years. After the first inevitable moment of jealousy, his wife forgave Westover when she found that he did not want pupils, and she took a leading part in the movement to have him read Browning at a picnic, organized by the ladies shortly after he came.
XII.
The picnic was held in Whitwell's Clearing, on the side of Lion's Head, where the moss, almost as white as snow, lay like belated drifts among the tall, thin grass which overran the space opened by the axe, and crept to the verge of the low pines growing in the shelter of the loftier woods. It was the end of one of Whitwell's “Tramps Home to Nature,” as he called his walks and talks with the ladies, and on this day Westover's fellow-painter had added to his lessons in woodlore the claims of art, intending that his class should make studies of various bits in the clearing, and should try to catch something of its peculiar charm. He asked Westover what he thought of the notion, and Westover gave it his approval, which became enthusiastic when he saw the place. He found in it the melancholy grace, the poignant sentiment of ruin which expresses itself in some measure wherever man has invaded nature and then left his conquest to her again. In Whitwell's Clearing the effect was intensified by the approach on the fading wood road, which the wagons had made in former days when they hauled the fallen timber to the pulp-mill. In places it was so vague and faint as to be hardly a trail; in others, where the wheel-tracks remained visible, the trees had sent out a new growth of lower branches in the place of those lopped away, and almost forbade the advance of foot-passengers. The ladies said they did not see how Jeff was ever going to get through with the wagon, and they expressed fears for the lunch he was bringing, which seemed only too well grounded.
But Whitwell, who was leading them on, said: “You let a Durgin alone to do a thing when he's made up his mind to it. I guess you'll have your lunch all right;” and by the time that they had got enough of Browning they heard the welcome sound of wheels crashing upon dead boughs and swishing through the underbrush, and, in the pauses of these pleasant noises, the voice of Jeff Durgin encouraging his horses. The children of the party broke away to meet him, and then he came in sight ahead of his team, looking strong and handsome in his keeping with the scene: Before he got within hearing, the ladies murmured a hymn of praise to his type of beauty; they said he looked like a young Hercules, and Westover owned with an inward smile that Jeff had certainly made the best of himself for the time being. He had taken a leaf from the book of the summer folks; his stalwart calves revealed themselves in thick, ribbed stockings; he wore knickerbockers and a Norfolk jacket of corduroy; he had style as well as beauty, and he had the courage of his clothes and looks. Westover was still in the first surprise of the American facts, and he wondered just what part in the picnic Jeff was to bear socially. He was neither quite host nor guest; but no doubt in the easy play of the life, which Westover was rather proud to find so charming, the question would solve itself rationally and gracefully.
“Where do you want the things?” the young fellow asked of the company at large, as he advanced upon them from the green portals of the roadway, pulling off his soft wool hat, and wiping his wet forehead with his blue-bordered white handkerchief.
“Oh, right here, Jeff!” The nimblest of the nymphs sprang to her feet from the lounging and crouching circle about Westover. She was a young nymph no longer, but with a daughter not so much younger than herself as to make the contrast of her sixteen years painful. Westover recognized the officious, self-approving kind of the woman, but he admired the brisk efficiency with which she had taken possession of the affair from the beginning and inspired every one to help, in strict subordination to herself.
When the cloths were laid on the smooth, elastic moss, and the meal was spread, she heaped a plate without suffering any interval in her activities.