The Landlord at Lion's Head — Volume 2

by William Dean Howells

He laughed, and all that Westover could say was, "Then you're still responsible for the result." But this no longer appeared so true to him.

XXXVIII.

It was not a condition of Westover's welcome at Lion's Head that he should seem peculiarly the friend of Jeff Durgin, but he could not help making it so, and he began to overact the part as soon as he met Jeff's mother. He had to speak of him in thanking her for remembering his wish to paint Lion's Head in the winter, and he had to tell her of Jeff's thoughtfulness during the past fortnight; he had to say that he did not believe he should ever have got away if it had not been for him. This was true; Durgin had even come in from Cambridge to see him off on the train; he behaved as if the incident with Lynde and all their talk about it had cemented the friendship between Westover and himself, and he could not be too devoted. It now came out that he had written home all about Westover, and made his mother put up a stove in the painter's old room, so that he should have the instant use of it when he arrived.

It was an air-tight wood-stove, and it filled the chamber with a heat in which Westover drowsed as soon as he entered it. He threw himself on the bed, and slept away the fatigue of his railroad journey and the cold of his drive with Jombateeste from the station. His nap was long, and he woke from it in a pleasant languor, with the dream-clouds still hanging in his brain. He opened the damper of his stove, and set it roaring again; then he pulled down the upper sash of his window and looked out on a world whose elements of wood and snow and stone he tried to co-ordinate. There was nothing else in that world but these things, so repellent of one another. He suffered from the incongruity of the wooden bulk of the hotel, with the white drifts deep about it, and with the granite cliffs of Lion's Head before it, where the gray crags darkened under the pink afternoon light which was beginning to play upon its crest from the early sunset. The wind that had seemed to bore through his thick cap and his skull itself, and that had tossed the dry snow like dust against his eyes on his way from the railroad, had now fallen, and an incomparable quiet wrapped the solitude of the hills. A teasing sense of the impossibility of the scene, as far as his art was concerned, filled him full of a fond despair of rendering its feeling. He could give its light and color and form in a sufficiently vivid suggestion of the fact, but he could not make that pink flush seem to exhale, like a long breath, upon those rugged shapes; he could not impart that sentiment of delicately, almost of elegance, which he found in the wilderness, while every detail of civilization physically distressed him. In one place the snow had been dug down to the pine planking of the pathway round the house; and the contact of this woodenness with the frozen ground pierced his nerves and set his teeth on edge like a harsh noise. When once he saw it he had to make an effort to take his eyes from it, and in a sort unknown to him in summer he perceived the offence of the hotel itself amid the pure and lonely beauty of the winter landscape. It was a note of intolerable banality, of philistine pretence and vulgar convention, such as Whitwell's low, unpainted cottage at the foot of the hill did not give, nor the little red school-house, on the other hand, showing through the naked trees. There should have been really no human habitation visible except a wigwam in the shelter of the pines, here and there; and when he saw Whitwell making his way up the hill-side road, Westover felt that if there must be any human presence it should be some savage clad in skins, instead of the philosopher in his rubber boots and his clothing-store ulster. He preferred the small, wiry shape of Jombateeste, in his blue woollen cap and his Canadian footgear, as he ran round the corner of the house toward the barn, and left the breath of his pipe in the fine air behind him.

The light began to deepen from the pale pink to a crimson which stained the tops and steeps of snow, and deepened the dark of the woods massed on the mountain slopes between the irregular fields of white. The burnished brown of the hard-wood trees, the dull carbon shadows of the evergreens, seemed to wither to one black as the red strengthened in the sky. Westover realized that he had lost the best of any possible picture in letting that first delicate color escape him. This crimson was harsh and vulgar in comparison; it would have almost a chromo quality; he censured his pleasure in it as something gross and material, like that of eating; and on a sudden he felt hungry. He wondered what time they would give him supper, and he took slight account of the fact that a caprice of the wind had torn its hood of snow from the mountain summit, and that the profile of the Lion's Head showed almost as distinctly as in summer. He stood before the picture which for that day at least was lost to him, and questioned whether there would be a hearty meal, something like a dinner, or whether there would be something like a farmhouse supper, mainly of doughnuts and tea.

He pulled up his window and was going to lie down again, when some one knocked, and Frank Whitwell stood at the door. "Do you want we should bring your supper to you here, Mr. Westover, or will you—"

"Oh, let me join you all!" cried the painter, eagerly. "Is it ready—shall I come now?"

"Well, in about five minutes or so." Frank went away, after setting down in the room the lamp he had brought. It was a lamp which Westover thought he remembered from the farm-house period, and on his way down he realized as he had somehow not done in his summer sojourns, the entirety of the old house in the hotel which had encompassed it. The primitive cold of its stairways and passages struck upon him as soon as he left his own room, and he found the parlor door closed against the chill. There was a hot stove-fire within, and a kerosene-lamp turned low, but there was no one there, and he had the photograph of his first picture of Lion's Head to himself in the dim light. The voices of Mrs. Durgin and Cynthia came to him from the dining-room, and from the kitchen beyond, with the occasional clash of crockery, and the clang of iron upon iron about the stove, and the quick tread of women's feet upon the bare floor. With these pleasant noises came the smell of cooking, and later there was an opening and shutting of doors, with a thrill of the freezing air from without, and the dull thumping of Whitwell's rubber boots, and the quicker flapping of Jombateeste's soft leathern soles. Then there was the sweep of skirted feet at the parlor door, and Cynthia Whitwell came in without perceiving him. She went to the table by the darkening window, and quickly turned up the light of the lamp. In her ignorance of his presence, he saw her as if she had been alone, almost as if she were out of the body; he received from her unconsciousness the impression of something rarely pure and fine, and he had a sudden compassion for her, as for something precious that is fated to be wasted or misprized. At a little movement which he made to relieve himself from a sense of eavesdropping, she gave a start, and shut her lips upon the little cry that would have escaped from another sort of woman.

"I didn't know you were here," she said; and she flushed with the shyness of him which she always showed at first. She had met him already with the rest, but they had scarcely spoken together; and he knew of the struggle she must now be making with herself when she went on: "I didn't know you had been called. I thought you were still sleeping."

"Yes. I seemed to sleep for centuries," said West over, "and I woke up feeling coeval with Lion's Head. But I hope to grow younger again."