“Well, I guess there's sumpin' in that,” Abel assented, and he lowered his weapon.

The incident distracted his captors and Dylks broke from them, and ran into the yard before the house. He was covered with soot and dust and his clothes were torn; his coat was stripped in tatters, and his long hair hung loose over it.

His prophecies of doom to those who should lay hands upon him had been falsified, but to the literal sense of David Gillespie he had not yet been sufficiently proved an impostor: till he should bring his daughter a strand of the hair which Dylks had proclaimed it death to touch, she would believe in him, and David followed in the crowd straining forward to reach Redfield, who with one of his friends had Dylks under his protection. The old man threw himself upon Dylks and caught a thick strand of his hair, dragging him backward by it. Redfield looked round. He said, “You want that, do you? Well, I promised.” He tore it from the scalp, and gave it into David's hand, and David walked back with it into the house where his daughter remained with the wailing and sobbing women-worshipers of the desecrated idol.

He flung the lock at her feet. “There's the hair that it was death to touch.” She did not speak; she only looked at it with horror.

“Don't you believe it's his?” her father roared.

“Yes, yes! I know it's his; and now let's go home and pray for him, and for you, father. We've both got the same God, now.”

A bitter retort came to the old man's lips, but the abhorrent look of his daughter stayed his words, and they went into the night together, while the noise of the mob stormed back to them through the darkness, farther and farther away.

[ [!-- H2 anchor --] ]

XIV

The captors of Dylks chose the Temple as the best place for keeping him till morning, when they could take him for trial to Matthew Braile; but they had probably no sense of the place where he had insolently triumphed so often as the fittest scene of his humiliation. They stumbled in a loose mob behind and before and beside him through the dim night, and tried to pass Redfield's guard to strike him with their hands or the sticks which they tore from the wayside bushes. At a little distance, a straggling troop of the believers followed, men and women, wailing and sobbing, and adoring and comforting their idol with promises of fealty, in terms of pathetic grotesqueness. A well-known voice called to him, “Don't you be afraid, God Almighty! They can't hurt a hair of your head,” and the burst of savage mirth which followed Sally Reverdy's words, drowned the retort of a scoffer, “Why, there ain't hardly any left to hurt, Sally.”