“He's just the same, every way.” Lemuel went a little further; “I knew him before I came to Boston. He boarded one summer where we lived.” As he spoke he thought of the grey, old, unpainted house, and of his brother-in-law with his stocking-feet on the stove-hearth, and his mother's bloomers; he thought of his arrest, and his night in the police-station, his trial, and the Wayfarer's Lodge; and he wondered that he could think of such things and still look such a girl in the face. But he was not without that strange joy in their being unknown to her which reserved and latent natures feel in mere reticence, and which we all experience in some degree when we talk with people and think of our undiscovered lives.
They went on a long time, matching their opinions and feelings about many things, as young people do, and fancying that much of what they said was new with them. When he came away after ten o'clock, he thought of one of the things that Sewell had said about the society of refined and noble women: it was not so much what they said or did that helped; it was something in them that made men say and do their best, and help themselves to be refined and noble men, to make the most of themselves in their presence. He believed that this was what Miss Carver had done, and he thought how different it was with him when he came away from an evening with Statira. Again he experienced that compassion for her, in the midst of his pride and exultation; he asked himself what he could do to help her; he did not see how she could be changed.
Berry followed him downstairs, and wanted to talk the evening over.
“I don't see how I'm going to stand it much longer, Barker,” he said. “I shall have to pop pretty soon or die, one of the two; and I'm afraid either one 'll kill me. Wasn't she lovely to-night? Honey in the comb, sugar in the gourd, I say! I wonder what it is about popping, anyway, that makes it so hard, Barker? It's simply a matter of business, if you come to boil it down. You offer a fellow so many cattle, and let him take 'em or leave 'em. But if the fellow happens to have on a long, slim, olive-green dress of some colour, and holds her head like a whole floral tribute on a stem, and you happen to be the cattle you're offering, you can't feel so independent about it, somehow. Well, what's the use? She's a daisy, if ever there was one. Ever notice what a peculiar blue her eyes are?”
“Blue?” said Lemuel. “They're brown.”
“Look here, old man,” said Berry compassionately, “do you think I've come down here to fool away my time talking about Miss Carver? We'll take some Saturday afternoon for that, when we haven't got anything else to do; but it's Miss Swan that has the floor at present. What were you two talking about over there, so long? I can't get along with Miss Carver worth a cent.”
“I hardly know what we did talk about,” said Lemuel dreamily.
“Well, I've got the same complaint, I couldn't tell you ten words that Madeline said—in thine absence let me call thee Madeline, sweet!—but I knew it was making an immortal spirit of me, right straight along, every time. The worst thing about an evening like this is, it don't seem to last any time at all. Why, when those girls began to put up their hands to hide their yawns, I felt like I was just starting in for a short call. I wish I could have had a good phonograph around. I'd put it on my sleepless pillow, and unwind its precious record all through the watches of the night.” He imitated the thin phantasmal squeak of the instrument in repeating a number of Miss Swan's characteristic phrases. “Yes, sir, a pocket phonograph is the thing I'm after.”
“I don't see how you can talk the way you do,” said Lemuel, shuddering inwardly at Berry's audacious freedom, and yet finding a certain comfort in it.
“That's just the way I felt myself at first. But you'll get over it as you go along. The nicest thing about their style of angel is that they're perfectly human, after all. You don't believe it now, of course, but you will.”