“Of course, we must not let him be ruined. If Mrs. Harmon insists upon his going at once—as I've no doubt she will—you must bring him here, and we must keep him till he can find some other home.” She waited, and added, for a final stroke of merciless beneficence, “He can have Alfred's room, and Alf can take the front attic.”
Sewell only sighed again. He knew she did not mean this.
Barker went back to the St. Albans, and shrunk into as small space in the office as he could. He pulled a book before him and pretended to read, hiding the side of his face toward the door with the hand that supported his head. His hand was cold as ice, and it seemed to him as if his head were in a flame. Williams came and looked in at him once, and then went back to the stool which he occupied just outside the elevator-shaft when not running it. He whistled softly between his teeth, with intervals of respectful silence, and then went on whistling in absence of any whom it might offend.
Suddenly a muffled clamour made itself heard from the depths of the dining-room, like that noise of voices which is heard behind the scenes at the theatre when an armed mob is about to burst upon the stage. Irish tones, high, windy, and angry, yells, and oaths defined themselves, and Mrs. Harmon came obesely hurrying from the dining-room toward the office, closely followed by Jerry, the porter. When upon duty, or, as some of the boarders contended, when in the right humour, he blacked the boots, and made the hard-coal fires, and carried the trunks up and down stairs. When in the wrong humour, he had sometimes been heard to swear at Mrs. Harmon, but she had excused him in this eccentricity because, she said, he had been with her so long. Those who excused it with her on these grounds conjectured arrears of wages as another reason for her patience. His outbreaks of bad temper had the Celtic uncertainty; the most innocent touch excited them, as sometimes the broadest snub failed to do so; and no one could foretell what direction his zigzag fury would take. He had disliked Lemuel from the first, and had chafed at the subordination into which he had necessarily fallen. He was now yelling after Mrs. Harmon, to know if she was not satisfied with wan gutther-snoipe, that she must nades go and pick up another, and whether the new wan was going to be too good to take prisints of money for his worruk from the boarthers, and put all the rest of the help under the caumpliment of refusin' ut, or else demanin' themselves by takin' ut? If this was the case, he'd have her to know that she couldn't kape anny other help; and the quicker she found it out the betther. Mrs. Harmon was trying to appease him by promising to see Lemuel at once, and ask him about it.
The porter raised his voice an octave. “D' ye think I'm a loyar, domn ye? Don't ye think I'm tellin' the thruth?”
He followed her to the little office, whither she had retreated on a purely mechanical fulfilment of her promise to speak to Lemuel, and crowded in upon them there.
“Here he is now!” he roared in his frenzy. “He's too good to take the money that's offered to 'um! He's too good to be waither! He wannts to play the gintleman! He thinks 'umself too good to do what the other servants do, that's been tin times as lahng in the house!”
At the noise some of the ladies came hurrying out of the public parlour to see what the trouble was. The street-door opened, and Berry entered with the two art-students. They involuntarily joined the group of terrified ladies.
“What's the row?” demanded Berry. “Is Jerry on the kick?”
No one answered. Lemuel stood pale and silent, fronting the porter, who was shaking his fist in his face. He had not heard anything definite in the outrage that assailed him. He only conjectured that it was exposure of Williams's character, and the story of his own career in Boston.