His wife laughed with the fearlessness of a woman who knows her husband.

"But you won't choose when you've thought it over, Si." Then she applied an emollient to his chafed surface. "Don't you suppose I feel as you do about it? I know just how proud you are, and I'm not going to have you do anything that will make you feel meeching afterward. You just let things take their course. If he wants Irene, he's going to find out some way of seeing her; and if he don't, all the plotting and planning in the world isn't going to make him."

"Who's plotting?" again retorted the Colonel, shuddering at the utterance of hopes and ambitions which a man hides with shame, but a woman talks over as freely and coolly as if they were items of a milliner's bill.

"Oh, not you!" exulted his wife. "I understand what you want. You want to get this fellow, who is neither partner nor clerk, down here to talk business with him. Well, now, you just talk business with him at the office."

The only social attention which Lapham succeeded in offering Corey was to take him in his buggy, now and then, for a spin out over the Mill-dam. He kept the mare in town, and on a pleasant afternoon he liked to knock off early, as he phrased it, and let the mare out a little. Corey understood something about horses, though in a passionless way, and he would have preferred to talk business when obliged to talk horse. But he deferred to his business superior with the sense of discipline which is innate in the apparently insubordinate American nature. If Corey could hardly have helped feeling the social difference between Lapham and himself, in his presence he silenced his traditions, and showed him all the respect that he could have exacted from any of his clerks. He talked horse with him, and when the Colonel wished he talked house. Besides himself and his paint Lapham had not many other topics; and if he had a choice between the mare and the edifice on the water side of Beacon Street, it was just now the latter. Sometimes, in driving in or out, he stopped at the house, and made Corey his guest there, if he might not at Nantasket; and one day it happened that the young man met Irene there again. She had come up with her mother alone, and they were in the house, interviewing the carpenter as before, when the Colonel jumped out of his buggy and cast anchor at the pavement. More exactly, Mrs. Lapham was interviewing the carpenter, and Irene was sitting in the bow-window on a trestle, and looking out at the driving. She saw him come up with her father, and bowed and blushed. Her father went on up-stairs to find her mother, and Corey pulled up another trestle which he found in the back part of the room. The first floorings had been laid throughout the house, and the partitions had been lathed so that one could realise the shape of the interior.

"I suppose you will sit at this window a good deal," said the young man.

"Yes, I think it will be very nice. There's so much more going on than there is in the Square."

"It must be very interesting to you to see the house grow."

"It is. Only it doesn't seem to grow so fast as I expected."

"Why, I'm amazed at the progress your carpenter has made every time I come."