"We?" repeated Maxwell.
"Yes. What we want for Salome is sweetness and delicacy and refinement; for she has to do rather a bold thing, and yet keep herself a lady."
"Well, it may be too late to talk of Miss Pettrell now," said Maxwell. "Your favorite Godolphin parted enemies with her."
"Oh, stage enemies! Mr. Grayson can get her, and he must."
"I'll tell him what your orders are," said Maxwell.
The next day he saw the manager, but nothing had been done, and the affair seemed to be hanging fire again. In the evening, while he was talking it over with his wife in a discouragement which they could not shake off, a messenger came to him with a letter from the Argosy Theatre, which he tore nervously open.
"What is it, dear?" asked his wife, tenderly. "Another disappointment?"
"Not exactly," he returned, with a husky voice, and after a moment of faltering he gave her the letter. It was from Grayson, and it was to the effect that he had seen Sterne, and that Sterne had agreed to a proposition he had made him, to take Maxwell's play on the road, if it succeeded, and in view of this had agreed to let Yolande Havisham take the part of Salome.
Godolphin was going to get all his old company together as far as possible, with the exception of Miss Pettrell, and there was to be little or no delay, because the actors had mostly got back to New York, and were ready to renew their engagements. That no time might be lost, Grayson asked Maxwell to come the next morning and read the piece to such of them as he could get together in the Argosy greenroom, and give them his sense of it.
Louise handed him back the letter, and said, with dangerous calm: "You might save still more time by going down to Mrs. Harley's apartment and reading it to her at once." Maxwell was miserably silent, and she pursued: "May I ask whether you knew they were going to try to get her?"