Grayson looked a little unhappy. "No, that isn't what I mean, exactly. I mean that as it stands, no manager would risk it, and that as soon as an actor had read it, he would see, as Godolphin must have seen from the start, that Haxard was a subordinate part. What you want to do is to get it in the hands of some woman who wants to star, and would take the road with it." The manager expatiated at some length on the point, and then he stopped, and sat silent, as if he had done with the subject.

Maxwell perceived that the time had come for him to get up and go away.

"I'm greatly obliged to you for all your kindness, Mr. Grayson, and I won't abuse your patience any further. You've been awfully good to me, and—" He faltered, in a dejection which he could not control. Against all reason, he had hoped that the manager would have taken his piece just as it stood, and apparently he would not have taken it in any event.

"You mustn't speak of that," said the manager. "I wish you would let me see anything else you do. There's a great deal that's good in this piece, and I believe that a woman who would make it her battle-horse could make it go."

Maxwell asked, with melancholy scorn, "But you don't happen to know any leading lady who is looking round for a battle-horse?"

The manager seemed trying to think. "Yes, I do. You wouldn't like her altogether, and I don't say she would be the ideal Salome, but she would be, in her way, effective; and I know that she wants very much to get a play. She hasn't been doing anything for a year or two but getting married and divorced, but she made a very good start. She used to call herself Yolande Havisham; I don't suppose it was her name; and she had a good deal of success in the West; I don't think she's ever appeared in New York. I believe she was of quite a good Southern family; the Southerners all are; and I hear she has money."

"Godolphin mentioned a Southern girl for the part," said Maxwell. "I wonder if—"

"Very likely it's the same one. She does emotional leads. She and Godolphin played together in California, I believe. I was trying to think of her married name—or her unmarried name—"

Some one knocked at the door, and the young man put his head in, with what Maxwell fancied a preconcerted effect, and gave the manager a card. He said, "All right; bring him round," and he added to Maxwell, "Shall I send your play—"

"No, no, I will take it," and Maxwell carried it away with a heavier heart than he had even when he got it back from Godolphin. He did not know how to begin again, and he had to go home and take counsel with his wife as to the next step.