There were not many of them, and some of these few were quite fragmentary. I gave my voice for the publication of all that had any sort of completeness, for in every one there was a touch of his exquisite art, the grace of his most lovely spirit. We have so far had two men only who felt the claim of their gift to the very best that the most patient skill could give its utterance: one was Hawthorne and the other was Longfellow. I shall not undertake to say which was the greater artist of these two; but I am sure that every one who has studied it must feel with me that the art of Longfellow held out to the end with no touch of decay in it, and that it equalled the art of any other poet of his time. It knew when to give itself, and more and more it knew when to withhold itself.
What Longfellow's place in literature will be, I shall not offer to say; that is Time's affair, not mine; but I am sure that with Tennyson and Browning he fully shared in the expression of an age which more completely than any former age got itself said by its poets.
ETEXT EDITOR'S BOOKMARKS:
Anglo-American genius for ugliness
Backed their credulity with their credit
Candle burning on the table for the cigars
Discomfort which mistaken or blundering praise
Fell either below our pride or rose above our purse
Literary dislikes or contempts
Memory will not be ruled
Shy of his fellow-men, as the scholar seems always to be
End of Project Gutenberg's The White Mr. Longfellow, by William Dean Howells