The World of Chance

by William Dean Howells

“Not at all. Very glad to have you. It’s short, and unpretentious, and non-committal. I think it might do.”

Mrs. Brandreth thought so too, and in that form the author’s name appeared on the title-page. Even in that form it did not escape question and censure. One reviewer devoted his criticism of the story to inquiry into the meaning of the author’s initial; another surmised it a mask. But, upon the whole, its simplicity piqued curiosity, and probably promoted the fortune of the book, as far as that went.

There was no immediate clamor over it. In fact, it was received so passively by the public and the press that the author might well have doubted whether there was any sort of expectation of it, in spite of the publisher’s careful preparation of the critic’s or the reader’s mind. There came back at once from obscure quarters a few echoes, more or less imperfect, of the synopsis of the book’s attractions sent out with the editorial copies, but the influential journals remained heart-sickeningly silent concerning A Modern Romeo. There was a boisterous and fatuous eulogy of the book in the Midland Echo, which Ray knew for the expression of Sanderson’s friendship; but eager as he was for recognition, he could not let this count; and it was followed by some brief depreciatory paragraphs in which he perceived the willingness of Hanks Brothers to compensate themselves for having so handsomely let Sanderson have his swing. He got some letters of acknowledgment from people whom he had sent the book; he read them with hungry zest, but he could not make himself believe that they constituted impartial opinion; not even the letter of the young lady who had detected him in the panoply of his hero, and who now wrote to congratulate him on a success which she too readily took for granted. One of his sisters replied on behalf of his father and mother, and said they had all been sitting up reading the story aloud together, and that their father liked it as much as any of them; now they were anxious to see what the papers would say; had he read the long review in the Echo, and did not he think it rather cool and grudging for a paper that he had been connected with? He hardly knew whether this outburst of family pride gave him more or less pain than an anonymous letter which he got from his native village, and which betrayed the touch of the local apothecary; his correspondent, who also dealt in books, and was a man of literary opinions, heaped the novel with ridicule and abuse, and promised the author a coat of tar and feathers on the part of his betters whom he had caricatured, if ever he should return to the place. Ray ventured to offer a copy to the lady who had made herself his social sponsor in New York, and he hoped for some intelligent praise from her. She asked him where in the world he had got together such a lot of queer people, like nothing on earth but those one used to meet in the old days when one took country board; she mocked at the sufferings of his hero, and said what a vulgar little piece his heroine was; but she supposed he meant them to be what they were, and she complimented him on his success in handling them. She confessed, though, that she never read American novels, or indeed any but French ones, and that she did not know exactly where to rank his work; she burlesqued a profound impression of the honor she ought to feel in knowing a distinguished novelist. “You’ll be putting us all into your next book, I suppose. Mind you give me golden hair, not yet streaked with silver.”

In the absence of any other tokens of public acceptance, Ray kept an eager eye out for such signs of it as might be detected in the booksellers’ windows and on their sign-boards. The placards of other novels flamed from their door-jambs, but they seemed to know nothing of A Modern Romeo. He sought his book in vain among those which formed the attractions of their casements; he found it with difficulty on their counters, two or three rows back, and in remote corners. It was like a conspiracy to keep it out of sight; it was not to be seen on the news-stands of the great hotels or the elevated stations, and Ray visited the principal railway depots without detecting a copy.

He blamed Mr. Brandreth for a lack of business energy in all this; he would like to see him fulfil some of those boasts of push which, when he first heard them, made him creep with shame. Mr. Brandreth had once proposed a file of sandwich men appealing with successive bill-boards:

I.
Have you Read
II.
“A Modern Romeo?”
III.
Every One is Reading
IV.
“A Modern Romeo.”
V.
Why?
VI.
Because
VII.
“A Modern Romeo” is
VIII.
The Great American Novel.

Ray had absolutely forbidden this procession, but now he would have taken off his hat to it, and stood uncovered, if he could have met it in Union Square or in Twenty-third Street.

XL.

In this time of suspense Ray kept away from old Kane, whose peculiar touch he could not bear. But he knew perfectly well what his own feelings were, and he did not care to have them analyzed. He could not help sending Kane the book, and for a while he dreaded his acknowledgments; then he resented his failure to make any.

In the frequent visits he paid to his publisher, he fancied that his welcome from Mr. Brandreth was growing cooler, and he did not go so often. He kept doggedly at his work in the Every Evening office; but here the absolute silence of his chief concerning his book was as hard to bear as Mr. Brandreth’s fancied coolness; he could not make out whether it meant compassion or dissatisfaction, or how it was to effect his relation to the paper. The worst of it was that his adversity, or his delayed prosperity, which ever it was, began to corrupt him. In his self-pity he wrote so leniently of some rather worthless books that he had no defence to make when his chief called his attention to the wide divergence between his opinions and those of some other critics. At times when he resented the hardship of his fate he scored the books before him with a severity that was as unjust as the weak commiseration in his praises. He felt sure that if the situation prolonged itself his failure as an author must involve his failure as a critic.