XLIII.
Whether the boom for A Modern Romeo which began with the appearance of the Metropolis review was an effect of that review or not, no one acquainted with the caprices of the book trade would undertake to say. There had been enthusiastic reviews of other books in the Metropolis which had resulted in no boom whatever, as Kane pointed out in ironically inviting the author to believe that the success of the book was due wholly to its merit.
“And what was its long failure due to?” Ray asked, tasting the bitter of the suggestion, but feigning unconsciousness.
“To its demerit.”
Mr. Brandreth was at first inclined to ascribe the boom to the review; afterwards he held that it was owing to his own wise and bold use of the review in advertising. There, he contended, was the true chance, which, in moments of grateful piety, he claimed that he was inspired to seize. What is certain is that other friendly reviews began to appear in other influential journals, in New York and throughout the country. Ray began to see the book on the news-stands now; he found it in the booksellers’ windows; once he heard people in an elevated car talking of it; somehow it was in the air. But how it got in the air, no one could exactly say; he, least of all. He could put his hand on certain causes, gross, palpable, like the advertising activities of Mr. Brandreth; but these had been in effectless operation long before. He could not define the peculiar attraction that the novel seemed to have, even when frankly invited to do so by a vivid young girl who wrote New York letters for a Southern paper, and who came to interview him about it. The most that he could say was that it had struck a popular mood. She was very grateful for that idea, and she made much of it in her next letter; but she did not succeed in analyzing this mood, except as a general readiness for psychological fiction on the part of a reading public wearied and disgusted with the realism of the photographic, commonplace school. She was much more precise in her personal account of Ray; the young novelist appeared there as a type of manly beauty, as to his face and head, but of a regrettably low stature, which, however, you did not observe while he remained seated. It was specially confided to lady readers that his slightly wavy dark hair was parted in the middle over a forehead as smooth and pure as a girl’s. The processed reproduction of Ray’s photograph did not perfectly bear out her encomium; but it was as much like him as it was like her account of him. His picture began to appear in many places, with romanced biographies, which made much of the obscurity of his origin and the struggles of his early life. When it came to be said that he sprang from the lower classes, it brought him a letter of indignant protest from his mother, who reminded him that his father was a physician, and his people had always been educated and respectable on both sides. She thought that he ought to write to the papers and stop the injurious paragraph; and he did not wholly convince her that this was impossible. He could not have made her understand how in the sudden invasion of publicity his personality had quite passed out of his own keeping. The interviewers were upon him everywhere: at his hotel, whose quaintness and foreign picturesqueness they made go far in their studies of him; at the Every Evening office, where their visits subjected him to the mockery of his associates on the paper. His chief was too simple and serious of purpose to take the comic view of Ray’s celebrity; when he realized it through the frequency of the interviews, he took occasion to say: “I like your work and I want to keep you. As it is only a question of time when you will ask an increase of salary, I prefer to anticipate, and you’ll find it put up in your next check to the figure which I think the paper ought to stand.” He did not otherwise recognize the fact of the book’s success, or speak of it; as compared with his paper, Ray’s book was of no importance to him whatever.
The interviews were always flattering to Ray’s vanity, in a certain way, but it was rather wounding to find that most of the interviewers had not read his book; though they had just got it, or they were going to get it and read it. In some cases they came to him with poetic preoccupations from previous interviews with Mr. Brandreth, and he could not disabuse them of the notion that his literary career had been full of facts much stranger than fiction.
“Mr. Brandreth says that if the truth could be told about that book,” one young lady journalist stated, keeping her blue eyes fixed winningly upon the author’s, “it would form one of the most dramatic chapters in the whole history of literature. Won’t you tell me the truth about it, Mr. Ray?”
“Why, I don’t know the truth about it myself,” Ray said.
“Oh, how delightful!” cried the young lady. “I’m going to put that in, at any rate;” and she continued to work the young author with her appealing eyes and her unusually intelligent flatteries, until she had got a great deal more out of him concerning the periculations of his novel in manuscript than he could have believed himself capable of telling.