The World of Chance

by William Dean Howells

All the time that this went on in his mind, Ray was walking up Broadway, and holding fast to the novel under his arm, which the novel in his brain was eclipsing. His inner eye was fixed on the remembered face of that strange girl, or woman, whom he was fashioning into a fictitious heroine, but his outward vision roved over the women faces it encountered, and his taste made its swift selection among them, and his ambidextrous fancy wove romances around such, as he found pretty or interesting enough to give his heart to. They were mostly the silly or sordid faces that women wear when they are shopping, and they expressed such emotions as are roused by the chase of a certain shade of ribbon, or the hope of getting something rich and fashionable for less than its worth. But youth is not nice, or else its eyes are keener than those of after-life; and Ray found many beautiful and stylish girls where the middle-aged witness would have seen a long procession of average second-rate young women. He admired their New-Yorky dash; he saw their difference in look and carriage from the Midland girls; and he wondered what they would be like, if he knew them. He reflected that he did not know any one in New York; but he expected soon to be acquainted. If he got his novel taken he would very soon be known, and then his acquaintance would be sought. He saw himself launched upon a brilliant social career, and he suddenly had a difficulty presented to him which he had not foreseen a moment before; he had to choose between a brilliant marriage with a rich and well-born girl and fealty to the weird heroine of his story. The unexpected contingency suggested a new ending to his original story. The husband could die and the lovers be about to marry, when they could become aware that the rich girl was in love with the hero. They could renounce each other, and the hero could marry the rich girl; and shortly after the heroine could die. An ending like that could be made very powerful; and it would be popular, too.

Ray found himself in a jam of people who had begun suddenly to gather at the corner he was approaching. They were looking across at something on the other corner, and Ray looked too. Trunks and travelling-bags had overflowed from a store in the basement there, and piled themselves on the sidewalk and up the house wall; and against the background they formed stood two figures. One was a decent-looking young man in a Derby hat, and wearing spectacles, which gave him a sort of scholarly air; he remained passive in the grip of another, probably the shopman, who was quite colorless with excitement, and who clung fast to the shoulder of the first, as if his prisoner were making violent efforts to escape. A tall young policeman parted the crowd, and listened a moment to the complaint the shopman made, with many gestures toward his wares. Then he turned to the passive captive, and Ray heard the click of the handcuffs as they snapped on the wrists of this scholarly-looking man; and the policeman took him by the arm and led him away.

The intrusion of such a brutal fact of life into the tragic atmosphere of his revery made the young poet a little sick, but the young journalist avidly seized upon it. The poet would not have dreamed of using such an incident, but the journalist saw how well it would work into the scheme of that first letter he was writing home to the Echo, where he treated of the surface contrasts of life in New York as they present themselves to the stranger. A glad astonishment at the profusion of the material for his letters possessed him; at this rate he should have no trouble in writing them; he could make them an indispensable feature; they would be quoted and copied, and he could get a rise out of Hanks Brothers on the price.

He crossed to the next corner, where the shopman was the centre of a lessening number of spectators, and found him willing to prolong the interest he had created in the public mind. He said the thief had priced a number of bags in the place below, and on coming up had made a grab at one and tried to get off with it; but he was onto him like lightning. He showed Ray which bag it was, and turned it round and upside down as if with a fresh sense of its moral value. He said he should have to take that bag into court, and he set it aside so that he should not forget it.

“I suppose,” said a tall, elderly gentleman, who seemed to have been listening to Ray’s dialogue with the shopman, “you wouldn’t be willing to sell me that bag?” He spoke slowly with a thick, mellow voice, deep in his throat.

“Money wouldn’t buy that bag; no sir,” said the shopman; but he seemed uneasy.

“You know,” urged the soft-voiced stranger, “you could show some other bag in court that was just like it.”

“I couldn’t swear to no other bag,” said the shopman, daunted, and visibly relenting.

“That is true,” said the stranger. “But you could swear that it was exactly like this. Still, I dare say you’re quite right, and it’s better to produce the corpus delicti, if possible.”

He glanced at Ray with a whimsical demand for sympathy; Ray smiled, and they walked off together, leaving the shopman in dubious study of his eventful bag. He was opening it, and scrutinizing the inside.