Young Woman. Yes, you've told the truth for once, for a wonder. I'm able to take care of myself,—perfectly. (Almost hoarse with a sense of sarcastic performance.)
Young Man. "Whole team and big dog under the wagon," as they say out
West.
Young Woman. Better a big dog than a puppy, any day.
Giggles and horror from the younger sister, sensation in the young man, and so much rapture in the young woman that she drops the key of her state-room from her hand. They both stoop, and a jocose scuffle for it ensues, after which the talk takes an autobiographical turn on the part of the young man, and drops into an unintelligible murmur. "Ah! poor Real Life, which I love, can I make others share the delight I find in thy foolish and insipid face?"
Not far from this group sat two Hebrews, one young and the other old, talking of some business out of which the latter had retired. The younger had been asked his opinion upon some point, and he was expanding with a flattered consciousness of the elder's perception of his importance, and toadying to him with the pleasure which all young men feel in winning the favor of seniors in their vocation. "Well, as I was a-say'n', Isaac don't seem to haf no natcheral pent for the glothing business. Man gomes in and wands a goat,"—he seemed to be speaking of a garment and not a domestic animal,—"Isaac'll zell him the goat he wands him to puy, and he'll make him believe it 'a the goat he was a lookin' for. Well, now, that's well enough as far as it goes; but you know and I know, Mr. Rosenthal, that that's no way to do business. A man gan't zugzeed that goes upon that brincible. Id's wrong. Id's easy enough to make a man puy the goat you want him to, if he wands a goat, but the thing is to make him puy the goat that you wand to zell when he don't wand no goat at all. You've asked me what I thought and I've dold you. Isaac'll never zugzeed in the redail glothing-business in the world!"
"Well," sighed the elder, who filled his armchair quite full, and quivered with a comfortable jelly-like tremor in it, at every pulsation of the engine, "I was afraid of something of the kind. As you say, Benjamin, he don't seem to have no pent for it. And yet I proughd him up to the business; I drained him to it, myself."
Besides these talkers, there were scattered singly, or grouped about in twos and threes and fours, the various people one encounters on a Hudson River boat, who are on the whole different from the passengers on other rivers, though they all have features in common. There was that man of the sudden gains, who has already been typified; and there was also the smoother rich man of inherited wealth, from whom you can somehow know the former so readily. They were each attended by their several retinues of womankind, the daughters all much alike, but the mothers somewhat different. They were going to Saratoga, where perhaps the exigencies of fashion would bring them acquainted, and where the blue blood of a quarter of a century would be kind to the yesterday's fluid of warmer hue. There was something pleasanter in the face of the hereditary aristocrat, but not so strong, nor, altogether, so admirable; particularly if you reflected that he really represented nothing in the world, no great culture, no political influence, no civic aspiration, not even a pecuniary force, nothing but a social set, an alien club-life, a tradition of dining. We live in a true fairy land after all, where the hoarded treasure turns to a heap of dry leaves. The almighty dollar defeats itself, and finally buys nothing that a man cares to have. The very highest pleasure that such an American's money can purchase is exile, and to this rich man doubtless Europe is a twice-told tale. Let us clap our empty pockets, dearest reader, and be glad.
We can be as glad, apparently, and with the same reason as the poorly dressed young man standing near beside the guard, whose face Basil and Isabel chose to fancy that of a poet, and concerning whom, they romanced that he was going home, wherever his home was, with the manuscript of a rejected book in his pocket. They imagined him no great things of a poet, to be sure, but his pensive face claimed delicate feeling for him, and a graceful, sombre fancy, and they conjectured unconsciously caught flavors of Tennyson and Browning in his verse, with a moderner tint from Morris: for was it not a story out of mythology, with gods and heroes of the nineteenth century, that he was now carrying back from New York with him? Basil sketched from the colors of his own long-accepted disappointments a moving little picture of this poor imagined poet's adventures; with what kindness and unkindness he had been put to shame by publishers, and how, descending from his high, hopes of a book, he had tried to sell to the magazines some of the shorter pieces out of the "And other Poems" which were to have filled up the volume. "He's going back rather stunned and bewildered; but it's something to have tasted the city, and its bitter may turn to sweet on his palate, at last, till he finds himself longing for the tumult that he abhors now. Poor fellow! one compassionate cut-throat of a publisher even asked him to lunch, being struck, as we are, with something fine in his face. I hope he's got somebody who believes in him, at home. Otherwise he'd be more comfortable, for the present, if he went over the railing there."
So the play of which they were both actors and spectators went on about them. Like all passages of life, it seemed now a grotesque mystery, with a bluntly enforced moral, now a farce of the broadest, now a latent tragedy folded in the disguises of comedy. All the elements, indeed, of either were at work there, and this was but one brief scene of the immense complex drama which was to proceed so variously in such different times and places, and to have its denouement only in eternity. The contrasts were sharp: each group had its travesty in some other; the talk of one seemed the rude burlesque, the bitter satire of the next; but of all these parodies none was so terribly effective as the two women, who sat in the midst of the company, yet were somehow distinct from the rest. One wore the deepest black of widowhood, the other was dressed in bridal white, and they were both alike awful in their mockery of guiltless sorrow and guiltless joy. They were not old, but the soul of youth was dead in their pretty, lamentable faces, and ruin ancient as sin looked from their eyes; their talk and laughter seemed the echo of an innumerable multitude of the lost haunting the world in every land and time, each solitary forever, yet all bound together in the unity of an imperishable slavery and shame.
What a stale effect! What hackneyed characters! Let us be glad the night drops her curtain upon the cheap spectacle, and shuts these with the other actors from our view.