Spell-bound, the journeyers pored upon the deathful course beneath their feet, gave a shudder to the horror of being cast upon it, and then hurried over the bridge to the island, in the shadow of whose wildness they sought refuge from the sight and sound.
There had been rain in the night; the air war full of forest fragrance, and the low, sweet voice of twittering birds. Presently they came to a bench set in a corner of the path, and commanding a pleasant vista of sunlit foliage, with a mere gleam of the foaming river beyond. As they sat down here loverwise, Basil, as in the early days of their courtship, began to recite a poem. It was one which had been haunting him since his first sight of the rapids, one of many that he used to learn by heart in his youth—the rhyme of some poor newspaper poet, whom the third or fourth editor copying his verses consigned to oblivion by carelessly clipping his name from the bottom. It had always lingered in Basil's memory, rather from the interest of the awful fact it recorded, than from any merit of its own; and now he recalled it with a distinctness that surprised him.
AVERY.
I.
All night long they heard in the houses beside the shore,
Heard, or seemed to hear, through the multitudinous roar,
Out of the hell of the rapids as 'twere a lost soul's cries
Heard and could not believe; and the morning mocked their eyes,
Showing where wildest and fiercest the waters leaped up and ran
Raving round him and past, the visage of a man
Clinging, or seeming to cling, to the trunk of a tree that, caught
Fast in the rocks below, scarce out of the surges raught.
Was it a life, could it be, to yon slender hope that clung
Shrill, above all the tumult the answering terror rang.
II.
Under the weltering rapids a boat from the bridge is drowned,
Over the rocks the lines of another are tangled and wound,
And the long, fateful hours of the morning have wasted soon,
As it had been in some blessed trance, and now it is noon.
Hurry, now with the raft! But O, build it strong and stanch,
And to the lines and the treacherous rocks look well as you launch
Over the foamy tops of the waves, and their foam-sprent sides,
Over the hidden reefs, and through the embattled tides,
Onward rushes the raft, with many a lurch and leap,—
Lord! if it strike him loose from the hold he scarce can keep!
No! through all peril unharmed, it reaches him harmless at least,
And to its proven strength he lashes his weakness fast.
Now, for the shore! But steady, steady, my men, and slow;
Taut, now, the quivering lines; now slack; and so, let her go!
Thronging the shores around stands the pitying multitude;
Wan as his own are their looks, and a nightmare seems to brood
Heavy upon them, and heavy the silence hangs on all,
Save for the rapids' plunge, and the thunder of the fall.
But on a sudden thrills from the people still and pale,
Chorussing his unheard despair, a desperate wail
Caught on a lurking point of rock it sways and swings,
Sport of the pitiless waters, the raft to which he clings.
III.
All the long afternoon it idly swings and sways;
And on the shore the crowd lifts up its hands and prays:
Lifts to heaven and wrings the hands so helpless to save,
Prays for the mercy of God on him whom the rock and the ways
Battle for, fettered betwixt them, and who amidst their strife
Straggles to help his helpers, and fights so hard for his life,
Tugging at rope and at reef, while men weep and women swoon.
Priceless second by second, so wastes the afternoon.
And it is sunset now; and another boat and the last
Down to him from the bridge through the rapids has safely passed.
IV.
Wild through the crowd comes flying a man that nothing can stay
Maddening against the gate that is locked athwart his way.
"No! we keep the bridge for them that can help him. You,
Tell us, who are you?" "His brother!" "God help you both! Pass through."
Wild, with wide arms of imploring he calls aloud to him,
Unto the face of his brother, scarce seen in the distance dim;
But in the roar of the rapids his fluttering words are lost
As in a wind of autumn the leaves of autumn are tossed.
And from the bridge he sees his brother sever the rope
Holding him to the raft, and rise secure in his hope;
Sees all as in a dream the terrible pageantry,
Populous shores, the woods, the sky, the birds flying free;
Sees, then, the form—that, spent with effort and fasting and fear,
Flings itself feebly and fails of the boat that is lying so near,
Caught in the long-baffled clutch of the rapids, and rolled and hurled
Headlong on to the cataract's brink, and out of the world.
"O Basil!" said Isabel, with a long sigh breaking the hush that best praised the unknown poet's skill, "it isn't true, is it?"
"Every word, almost, even to the brother's coming at the last moment. It's a very well-known incident," he added, and I am sure the reader whose memory runs back twenty years cannot have forgotten it.
Niagara, indeed, is an awful homicide; nearly every point of interest about the place has killed its man, and there might well be a deeper stain of crimson than it ever wears in that pretty bow overarching the falls. Its beauty is relieved against an historical background as gloomy as the lightest-hearted tourist could desire. The abominable savages, revering the cataract as a kind of august devil, and leading a life of demoniacal misery and wickedness, whom the first Jesuits found here two hundred years ago; the ferocious Iroquois bloodily driving out these squalid devil-worshippers; the French planting the fort that yet guards the mouth of the river, and therewith the seeds of war that fruited afterwards in murderous strifes throughout the whole Niagara country; the struggle for the military posts on the river, during the wars of France and England; the awful scene in the conspiracy of Pontiac, where a detachment of English troops was driven by the Indians over the precipice near the great Whirlpool; the sorrow and havoc visited upon the American settlements in the Revolution by the savages who prepared their attacks in the shadow of Fort Niagara; the battles of Chippewa and of Lundy's Lane, that mixed the roar of their cannon with that of the fall; the savage forays with tomahawk and scalping-knife, and the blazing villages on either shore in the War of 1812,—these are the memories of the place, the links in a chain of tragical interest scarcely broken before our time since the white man first beheld the mist-veiled face of Niagara. The facts lost nothing of their due effect as Basil, in the ramble across Goat Island, touched them with the reflected light of Mr. Parkman's histories,—those precious books that make our meagre past wear something of the rich romance of old European days, and illumine its savage solitudes with the splendor of mediaeval chivalry, and the glory of mediaeval martyrdom,—and then, lacking this light, turned upon them the feeble glimmer of the guide-books. He and Isabel enjoyed the lurid picture with all the zest of sentimentalists dwelling upon the troubles of other times from the shelter of the safe and peaceful present. They were both poets in their quality of bridal couple, and so long as their own nerves were unshaken they could transmute all facts to entertaining fables. They pleasantly exercised their sympathies upon those who every year perish at Niagara in the tradition of its awful power; only they refused their cheap and selfish compassion to the Hermit of Goat Island, who dwelt so many years in its conspicuous seclusion, and was finally carried over the cataract. This public character they suspected of design in his death as in his life, and they would not be moved by his memory; though they gave a sigh to that dream, half pathetic, half ludicrous, yet not ignoble, of Mordecai Noah, who thought to assemble all the Jews of the world, and all the Indians, as remnants of the lost tribes, upon Grand Island, there to rebuild Jerusalem, and who actually laid the corner-stone of the new temple there.