Now Suta was not like Ang or Wang or even like Oma. Wang had thought sometimes that she was not so good a cook as Oma, and that she spent too much time listening to the song of the birds and watching the play of the light on the water and the woods and the far-off hills. She did these things sometimes when he thought she ought to get wood for the fire or cook something for him, and he grumbled a little. But now that she made dishes of clay which no one else could make and all men said, "What a fortunate man Wang is to have a woman that can make such things!" Wang began to be very proud of her. He even went so far as to get wood for the fire, which he did not think man's work.

And what did Suta the dreamer want? She did not want more food or more clothes or a bigger cave; she wanted the power to mold in clay the things she saw and loved. So she put on the great bowl for the All-Father a picture of a woman, with her back turned on the lookers and a sharpened stick in her hand, just ready to work the soft clay, but waiting for the power to draw on clay the picture in her mind. It was the first expression of the unsatisfied yearning of the artist for beauty and the power to express it. For Suta was the mother of those who love the beautiful and long to give it permanent form.

When the bowl for the Giver was finished, it was placed on a stone foundation in front of the stone altar, which Ang and Wang had made. At the feast it was filled with sparkling water from a spring near by, and as the men danced about the fire they dipped their hands in it as they passed by and sprinkled the water on the fire and on themselves and sang:

Singing water of the brook,
Shining laughter of the wood,
Talking picture of the clay,
Earth and fire and water, all
Are voices of the Great.

All who saw the great bowl which Suta had made were filled with wonder, and they wanted her to make something for them. Then the great idea came to Wang. Now Wang was not so strong as Ang or so good a hunter, but he wanted just as much to eat and just as warm furs to wear. He liked better to sit talking with some crony in the shade in summer or by the fire in winter. Talking and sitting were the two things of which he never tired. Now when the world was young, such men went hungry and cold, and Wang had done so often, and, more's the pity, Suta and little Sut; but then came the idea. Every one wanted Suta's clay dishes; he wanted deer's meat and bear's, and furs, and the choicest seeds and nuts. He would barter the things which Suta made for the things he wanted. Suta would do the work; others would bring food and furs and fruits; he would sit in front of the cave and give as little of the first for as much of the second as possible. And the idea worked. Suta loved to mold the plastic clay and decorate it. Many wanted the things which she had made, and Wang's wily tongue multiplied the number of those who were willing to pay for what they wanted.

So Wang became the father of a long line of traders, and the Wang family had more food than they could eat and more furs than they could wear. Wang grew thick in the belly and thin in the calf, but it suited him, and Suta was too busy with her clay to care. And Wang the trader became almost as great a man as Ang the priest.

And Oma, wife of Ang, grew envious of Suta, wife of Wang. And she grumbled to Ang: "Did not you find the Red One and bring Wang and Suta so that they should not perish from the cold? Have you not fed them with meat of your own hunting? Did not I learn from the Red One how to harden and mold the clay? Did I not show Suta? Do I not work harder than she? Am I not a better cook? Can I not make better coats of fur? But see, little Sut has finer furs than Om and is fatter. And all who come now pass by our cave, except at the great feasts, or when they are sick and in trouble, and go to talk with Wang and look at Suta. Is she so much better to look at than Oma?"

But Ang comforted her with wisdom that had come from long broodings under the shadow of the Keeper of Secrets. "The Giver has differing gifts. To the fire he gives one, to the water another, to the earth another. To Suta he gave the love of beauty; to you he gave the love of doing and making; and the joy of doing is greater than the joy of having. To each her gifts as the Great One wills. And I would rather be the man of Oma than of Suta." So Oma was comforted, though she often sighed wistfully as she saw men and women go by to the cave of Wang or watched Suta deftly mold some new thought into the yielding clay.