Plate 40.
MAHOGANY STRAIGHT.
Plate 41.
MAHOGANY MOTTLED.
[CHAPTER XI.]
MAHOGANY.
This wood was a great favorite with the grainers of the last generation, and it is at present coming back to old-time popularity. The old Honduras "feathered" mahogany is rarely seen except in old furniture, and this kind of graining is seldom called for nowadays. The modern mahogany is more straight-grained, and is generally much lighter in color, but the furniture manufacturers do not hesitate to stain the wood to any depth of color, and thus they set the pattern which the grainer must follow as regards the color. It is represented in both oil and water color, or by being partly done both ways, as in the case of walnut. The colors used are burnt sienna, burnt umber and Vandyke brown, with crimson lake for overgraining on particularly bright work. The tools used are the same as those for walnut. No better way to imitate it will be found than first to stipple it with a thin wash of Vandyke brown in beer, much the same as for walnut, but using the flat side of the stippler or blender more than the tip, as the pores of the wood are generally longer than those of walnut. After the stippling is dry rub in the oil color, which is composed of about three-fourths burnt sienna to one-fourth burnt umber, or a little Vandyke brown may be added to the color. The dark veins are put in with the sash tool dipped in a little clear Vandyke brown, which should be mixed in a separate vessel and thinned mostly with driers, as Vandyke brown is a very slow drier. The work is then gone over with a soft cotton rag, and the color is removed where the lighter grains are to appear; the rag is also used to soften the edges of the darker streaks and to blend them into the lighter grains. The lights and shadows are made, and the whole is then lightly blended crosswise. The bristle overgrainer of the fitch tool is used to put in the finer grains, or this may be done when the oil color is dry. This is the manner in which the modern straight mahogany is most frequently imitated, but it can wholly be done in water color, using the sponge for the same purpose as the rag is used in oil.