Many diversities, however, both of moral and æsthetical judgments, may be traced to accidental causes. Some one who is greatly admired, or who possesses great influence, is distinguished by some peculiarity of appearance, or introduces some peculiarity of dress. He will soon find countless [pg 080] imitators. Gradually the natural sense of beauty will become vitiated; the eye and the taste will adjust themselves to a false and artificial standard, and men will at last judge according to it with the most absolute spontaneity. In the same way, if any accidental circumstance has elevated an indifferent action to peculiar honour, if a religious system enforces it as a virtue or brands it as a vice, the consciences of men will after a time accommodate themselves to the sentence, and an appeal to a wider than a local tribunal is necessary to correct the error. Every nation, again, from its peculiar circumstances and position, tends to some particular type, both of beauty and of virtue, and it naturally extols its national type beyond all others. The virtues of a small poor nation, living among barren mountains, surrounded by powerful enemies, and maintaining its independence only by the most inflexible discipline, watchfulness, and courage, will be in some degree different from those of a rich people removed from all fear of invasion and placed in the centre of commerce. The former will look with a very lenient eye on acts of barbarity or treachery, which to the latter would appear unspeakably horrible, and will value very highly certain virtues of discipline which the other will comparatively neglect. So, too, the conceptions of beauty formed by a nation of negroes will be different from those formed by a nation of whites;[101] the splendour of a tropical sky or the savage grandeur of a northern ocean, the aspect of great mountains or of wide plains, will not only supply nations with present images of sublimity or beauty, but will also contribute to form their standard and affect their judgments. Local customs or observances become so interwoven with our earliest recollections, that we at last regard them as essentially [pg 081] venerable, and even in the most trivial matters it requires a certain effort to dissolve the association. There was much wisdom as well as much wit in the picture of the novelist who described the English footman's contempt for the uniforms of the French, “blue being altogether ridiculous for regimentals, except in the blue guards and artillery;” and I suppose there are few Englishmen into whose first confused impression of France there does not enter a half-instinctive feeling of repugnance caused by the ferocious appearance of a peasantry who are all dressed like butchers.[102]
It has been said[103] that “the feelings of beauty, grandeur, and whatever else is comprehended under the name of taste, do not lead to action, but terminate in delightful contemplation, which constitutes the essential distinction between them and the moral sentiments to which in some points of view they may doubtless be likened.” This position I conceive to be altogether untenable. Our æsthetical judgment is of the nature of a preference. It leads us to prefer one class of objects to another, and whenever other things are equal, becomes a ground for action. In choosing the persons with whom we live, the neighbourhood we inhabit, the objects that surround us, we prefer that which is beautiful to that which is the reverse, and in every case in which a choice between beauty and deformity is in question, and no counteracting motive intervenes, we choose the former, and avoid the latter. There are no doubt innumerable events in life in which this question does not arise, but there are also very many in which we are not called upon to make a moral judgment. We say a man is actuated by strong moral principle who chooses according to its dictates in every case involving a moral judgment that comes naturally before him, [pg 082] and who in obedience to its impulse pursues special courses of action. Corresponding propositions may be maintained with perfect truth concerning our sense of beauty. In proportion to its strength does it guide our course in ordinary life, and determine our peculiar pursuits. We may indeed sacrifice our sense of material beauty to considerations of utility with much more alacrity than our sense of moral beauty; we may consent to build a shapeless house sooner than to commit a dishonourable action, but we cannot voluntarily choose that which is simply deformed, rather than that which is beautiful, without a certain feeling of pain, and a pain of this kind, according to the school of Hartley, is the precise definition of conscience. Nor is it at all difficult to conceive men with a sense of beauty so strong that they would die rather than outrage it.
Considering all these things, it is not surprising that many moralists should have regarded moral excellence as simply the highest form of beauty, and moral cultivation as the supreme refinement of taste. But although this manner of regarding it is, as I think, far more plausible than the theory which resolves virtue into utility, although the Greek moralists and the school of Shaftesbury have abundantly proved that there is an extremely close connection between these orders of ideas, there are two considerations which appear to show the inadequacy of this theory. We are clearly conscious of the propriety of applying the epithet “beautiful” to virtues such as charity, reverence, or devotion, but we cannot apply it with the same propriety to duties of perfect obligation, such as veracity or integrity. The sense of beauty and the affection that follows it attach themselves rather to modes of enthusiasm and feeling than to the course of simple duty which constitutes a merely truthful and upright man.[104] Besides this, as the Stoics and Butler have shown, the position [pg 083] of conscience in our nature is wholly unique, and clearly separates morals from a study of the beautiful. While each of our senses or appetites has a restricted sphere of operation, it is the function of conscience to survey the whole constitution of our being, and assign limits to the gratification of all our various passions and desires. Differing not in degree, but in kind from the other principles of our nature, we feel that a course of conduct which is opposed to it may be intelligibly described as unnatural, even when in accordance with our most natural appetites, for to conscience is assigned the prerogative of both judging and restraining them all. Its power may be insignificant, but its title is undisputed, and “if it had might as it has right, it would govern the world.”[105] It is this faculty, distinct from, and superior to, all appetites, passions, and tastes, that makes virtue the supreme law of life, and adds an imperative character to the feeling of attraction it inspires. It is this which was described by Cicero as the God ruling within us; by the Stoics as the sovereignty of reason; by St. Paul as the law of nature; by Butler as the supremacy of conscience.
The distinction of different parts of our nature, as higher or lower, which appears in the foregoing reasoning, and which occupies so important a place in the intuitive system of morals, is one that can only be defended by the way of illustrations. A writer can only select cases in which such distinctions seem most apparent, and leave them to the feelings of his reader. A few examples will, I hope, be sufficient to show that even in our pleasures, we are not simply determined by the amount of enjoyment, but that there is a difference of kind, which may be reasonably described by the epithets, higher or lower.
If we suppose a being from another sphere, who derived his conceptions from a purely rational process, without the [pg 084] intervention of the senses, to descend to our world, and to enquire into the principles of human nature, I imagine there are few points that would strike him as more anomalous, or which he would be more absolutely unable to realise, than the different estimates in which men hold the pleasures derived from the two senses of tasting and hearing. Under the first is comprised the enjoyment resulting from the action of certain kinds of food upon the palate. Under the second the charm of music. Each of these forms of pleasure is natural, each can be greatly heightened by cultivation, in each case the pleasure may be vivid, but is very transient, and in neither case do evil consequences necessarily ensue. Yet with so many undoubted points of resemblance, when we turn to the actual world, we find the difference between these two orders of pleasure of such a nature, that a comparison seems absolutely ludicrous. In what then does this difference consist? Not, surely, in the greater intensity of the enjoyment derived from music, for in many cases this superiority does not exist.[106] We are all conscious that in our comparison of these pleasures, there is an element distinct from any consideration of their intensity, duration, or consequences. We naturally attach a faint notion of shame to the one, while we as naturally glory in the other. A very keen sense of the pleasures of the palate is looked upon as in a certain degree discreditable. A man will hardly boast that he is very fond of eating, but he has no hesitation in acknowledging that he is very fond of music. The first [pg 085] taste lowers, and the second elevates him in his own eyes, and in those of his neighbours.
Again, let a man of cheerful disposition, and of a cultivated but not very fastidious taste, observe his own emotions and the countenances of those around him during the representation of a clever tragedy and of a clever farce, and it is probable that he will come to the conclusion that his enjoyment in the latter case has been both more unmingled and more intense than in the former. He has felt no lassitude, he has not endured the amount of pain that necessarily accompanies the pleasure of pathos, he has experienced a vivid, absorbing pleasure, and he has traced similar emotions in the violent demonstrations of his neighbours. Yet he will readily admit that the pleasure derived from the tragedy is of a higher order than that derived from the farce. Sometimes he will find himself hesitating which of the two he will choose. The love of mere enjoyment leads him to the one. A sense of its nobler character inclines him to the other.
A similar distinction may be observed in other departments. Except in the relation of the sexes, it is probable that a more intense pleasure is usually obtained from the grotesque and the eccentric, than from the perfections of beauty. The pleasure derived from beauty is not violent in its nature, and it is in most cases peculiarly mixed with melancholy. The feelings of a man who is deeply moved by a lovely landscape are rarely those of extreme elation. A shade of melancholy steals over his mind. His eyes fill with tears. A vague and unsatisfied longing fills his soul. Yet, troubled and broken as is this form of enjoyment, few persons would hesitate to pronounce it of a higher kind than any that can be derived from the exhibitions of oddity.
If pleasures were the sole objects of our pursuit, and if their excellence were measured only by the quantity of enjoyment they afford, nothing could appear more obvious than that the man would be esteemed most wise who attained [pg 086] his object at least cost. Yet the whole course of civilisation is in a precisely opposite direction. A child derives the keenest and most exquisite enjoyment from the simplest objects. A flower, a doll, a rude game, the least artistic tale, is sufficient to enchant it. An uneducated peasant is enraptured with the wildest story and the coarsest wit. Increased cultivation almost always produces a fastidiousness which renders necessary the increased elaboration of our pleasures. We attach a certain discredit to a man who has retained those of childhood. The very fact of our deriving pleasure from certain amusements creates a kind of humiliation, for we feel that they are not in harmony with the nobility of our nature.[107]
Our judgments of societies resemble in this respect our judgments of individuals. Few persons, I think, who have compared the modes of popular life in stagnant and undeveloped countries like Spain with those in the great centres of industrial civilisation, will venture to pronounce with any confidence that the quantum or average of actual realised enjoyment is greater in the civilised than in the semi-civilised society. An undeveloped nature is by no means necessarily an unhappy nature, and although we possess no accurate gauge of happiness, we may, at least, be certain that its degrees do not coincide with the degrees of prosperity. The tastes and habits of men in a backward society accommodate themselves to the narrow circle of a few pleasures, and probably [pg 087] find in these as complete satisfaction as more civilised men in a wider range; and if there is in the first condition somewhat more of the weariness of monotony, there is in the second much more of the anxiety of discontent. The superiority of a highly civilised man lies chiefly in the fact that he belongs to a higher order of being, for he has approached more nearly to the end of his existence, and has called into action a larger number of his capacities. And this is in itself an end. Even if, as is not improbable, the lower animals are happier than man,[108] and semi-barbarians than civilised men, still it is better to be a man than a brute, better to be born amid the fierce struggles of civilisation than in some stranded nation apart from all the flow of enterprise and knowledge. Even in that material civilisation which utilitarianism delights to glorify, there is an element which the philosophy of mere enjoyment cannot explain.
Again, if we ask the reason of the vast and indisputable superiority which the general voice of mankind gives to mental pleasures, considered as pleasures, over physical ones, we shall find, I think, no adequate or satisfactory answer on the supposition that pleasures owe all their value to the quantity of enjoyment they afford. The former, it is truly said, are more varied and more prolonged than the latter but on the other hand, they are attained with more effort, and they are diffused over a far narrower circle. No one who compares the class of men who derive their pleasure chiefly from field sports or other forms of physical enjoyment with those who derive their pleasure from the highest intellectual sources; no one who compares the period of boyhood when enjoyments are chiefly animal with early [pg 088] manhood when they are chiefly intellectual, will be able to discover in the different levels of happiness any justification of the great interval the world places between these pleasures. No painter or novelist, who wished to depict an ideal of perfect happiness, would seek it in a profound student. Without entering into any doubtful questions concerning the relations of the body to all mental states, it may be maintained that bodily conditions have in general more influence upon our enjoyment than mental ones. The happiness of the great majority of men is far more affected by health and by temperament,[109] resulting from physical conditions, which again physical enjoyments are often calculated to produce, than by any mental or moral causes, and acute physical sufferings paralyse all the energies of our nature to a greater extent than any mental distress. It is probable that the American inventor of the first anæsthetic has done more for the real happiness of mankind than all the moral philosophers from Socrates to Mill. Moral causes may teach men patience, and the endurance of felt suffering, or may even alleviate its pangs, but there are temperaments due to physical [pg 089] causes from which most sufferings glance almost unfelt. It is said that when an ancient was asked “what use is philosophy?” he answered, “it teaches men how to die,” and he verified his words by a noble death; but it has been proved on a thousand battle-fields, it has been proved on a thousand scaffolds, it is proved through all the wide regions of China and India, that the dull and animal nature which feels little and realises faintly, can meet death with a calm that philosophy can barely rival.[110] The truth is, that the mental part of our nature is not regarded as superior to the physical part, because it contributes most to our happiness. The superiority is of a different kind, and may be intelligibly expressed by the epithets higher and lower.